{"title":"Gorham Archive","description":"Our Gorham archive includes pieces from the important, some designed and executed for World's Fairs, to the rare and whimsical.  We've also handled a significant number of pieces rare American art deco silver designed by Erik Magnussen for Gorham.","products":[{"product_id":"gorham-manufacturing-company-coin-silver-medallion-centerpiece-bowl-retailed-by-tiffany-amp-co-c-1865","title":"Gorham Manufacturing Company Coin Silver Medallion Centerpiece Bowl, retailed by Tiffany \u0026amp; Co., c. 1865","description":"\u003cp\u003eRetailed by Tiffany \u0026amp; Co, this rare form in Gorham's famous 'Medallion' line features a shaped rim with two wonderful cast and applied portrait medallions; a woman on one side and a man wearing a helmet on the other.\u003c\/p\u003e\n\u003cp\u003eAgainst a stippled background, these classical reliefs have stunning detail. The rim of the bowl and the base above the four splayed feet are decorated with lovely Greek-key banding. One side bears an original 'Z.T.D.' monogram.\u003cbr\u003e\u003cbr\u003eThis beautiful oval centerpiece bowl is marked underneath with Gorham's trademark, by the retailer 'TIFFANY \u0026amp; CO' and with the model '295' along with a star. It measures 13.75 inches across the handles by 8 inches deep by 5 inches high, weighs 25.05 troy ounces and is in excellent antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26309979077,"sku":"A02","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A02_back_pi.jpg?v=1489667618"},{"product_id":"extremely-rare-and-fine-gorham-thurber-coin-silver-presentation-water-pitcher-c-1851-of-rhode-island-historical-interest","title":"Gorham \u0026 Thurber Extremely Rare and Fine Coin Silver Presentation Water Pitcher, c. 1851, of Rhode Island Historical Interest","description":"Of inverted pear shape, this exceptional piece features all the details of the rococo revival popular around 1850. Bold repoussé work of c-scrolls intertwined with foliage and flowers center a scrolling foliate cartouche. The stepped foot has a ring of entre-lac above a lower band of repousséd flowers which rest on a die rolled band of acanthus leaf decoration. The same die rolled band is repeated at the neck of the pitcher. Above the neck are more repousséd flowers and foliage, then a cast and applied edge of scrolling foliage and flowers is applied at the rim. The cast and applied handle also displays cast foliage along with chased flowers and foliage.\u003cbr\u003e\u003cbr\u003eGorham and Thurber went all out on this piece. The addition of such details as the band of entre-lac, the casting and chasing work on the handle, the heavy applied border at the rim and the exuberant repoussé work make it evident that this was a trophy piece. \u003cbr\u003e\u003cbr\u003eThis is a very early piece of holloware from Gorham, they had only just started making holloware in 1850 with a total of 14 employees. Clearly, these former spoon makers set very high standards for themselves and the rest is history. This is the earliest piece of Gorham holloware we have ever seen on the market.\u003cbr\u003e\u003cbr\u003eThe cartouche is beautifully engraved: \u003cbr\u003e\n\u003cblockquote\u003e\n\u003cdiv style=\"text-align: center;\"\u003e'Presented\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eBY LADIES OF\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eTHE FIRST UNIVERSALIST\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSOCIETY\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eTO\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eRev. Henry \u0026amp; Mrs Eliza Ann Bacon,\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003ePROVIDENCE, R.I. SEPTR 4TH 1851.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\"Your memory will be to us a joy for ever.\"'\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cbr\u003ein a variety of wonderful styles inside fluidly engraved scrolling lines similar to pen work calligraphy of the period. It is signed, 'Engvd by Babcock'. If I could engrave this well, I would sign my work too!\u003cbr\u003e\u003cbr\u003eReverend Henry Bacon is known for the active role he played as a peacemaker during Dorrs Rebellion in 1841-2 and the ensuing constitutional crisis in Rhode Island. (This was a movement in support of expanding male suffrage in Rhode Island. In the process, two state governments were elected, there was an armed uprising, etc.) \u003cbr\u003e\u003cbr\u003eAccording to the 1844 Providence Directory, Reverend Bacon lived at 95 Friendship Street. Listed at 86 Friendship Street almost across the street from Bacon, and working at 72 Westminster, is George Babcock, watchmaker and engraver. \u003cbr\u003e\u003cbr\u003eThis water pitcher is marked underneath with 'GORHAM \u0026amp; THURBER', 'PROVIDENCE, RI' and 'PURE COIN'. It measures 12.75 inches high, weighs 27.05 troy ounces and is in very good antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26313776261,"sku":"A310","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A310b_pi.jpg?v=1489682340"},{"product_id":"erik-magnussen-designed-for-gorham-pair-of-art-deco-sterling-silver-and-ivory-salt-pepper-shakers-special-order-code-f-yw-providence-1926","title":"Erik Magnussen Designed for Gorham Pair of Art Deco Sterling Silver and Ivory Salt \u0026 Pepper Shakers, Sample Code F\/YW, Providence, 1926","description":"These shakers are rare examples of Erik Magnussen's work and made the year Magnussen started working at Gorham. The unusual form, coupled with Magnussen's unique vision of modern silver, is beautifully executed. \u003cbr\u003e\u003cbr\u003eMade from multiple parts, the domed bases scored with 15 incised lines screw onto the stems separated by a carved ivory floriform 8-petal disc.\u003cbr\u003e\u003cbr\u003eThe main bodies are shaped as vases with 16 incised lines radiating vertically.\u003cbr\u003e\u003cbr\u003eRemovable covers are shaped as domes surmounted with stylized finials. One is pierced with large holes for salt and the other with smaller holes for pepper.\u003cbr\u003e\u003cbr\u003eErik Magnussen was an important Danish silversmith hired by Gorham from 1926 to 1929 to develop silver in the 'modern' style. During this brief period he designed very creative and beautiful silver. Most Magnussen designed pieces were made in very limited quantities - from one to a couple dozen.\u003cbr\u003e\u003cbr\u003eTo introduce Magnussen's work to the United States in 1926, Gorham held concurrent exhibitions of his pieces at their flagship store on New York's Fifth Avenue and at the Metropolitan Museum of Arts' 10th annual American Industrial Art Exhibition of 1926-27. Due to the success of the Art Deco exhibition in Paris, this important exhibition at the Met was the first to display modern American objects not based on historical designs. \u003cbr\u003e\u003cbr\u003eExhibited at the Met was a Magnussen designed egg cup with the special order (sample) code F\/YU. (Many thanks to private scholar W. Scott Braznell for this information.) These shakers are marked F\/YW. As there is no evidence they were displayed at the Met, they would likely have been exhibited at Gorham's Fifth Avenue store. \u003cbr\u003e\u003cbr\u003eIt is extremely rare to find examples of the very earliest American art deco silver such as these. (We had a nut dish from this period years ago, see here, and a pair of compotes, see here.) \u003cbr\u003e\u003cbr\u003eWhen Gorham was marketing this line of silver, the American market was not ready for it, preferring conservative colonial styled silver. Hence Gorham had a great deal of trouble selling Magnussen's forward looking silver. \u003cbr\u003e\u003cbr\u003eAs the great depression took hold, Gorham reduced retail prices and still did not sell much of Magnussen's silver. It is generally believed that much of Magnussen's silver was eventually destroyed by Gorham. It is for these reasons that today American art deco silver is extremely rare, very much appreciated and highly sought after by collectors and museums. (See Gorham Silver by Charles Carpenter.) \u003cbr\u003e\u003cbr\u003eThese rare and important art deco salt and pepper shakers are marked with Gorham's trademark, 'GORHAM', 'STERLING', the special order (sample) code 'F\/YW', the 'sailboat' date mark for 1926 and Magnussen's trademark. They are also engraved underneath with the original owners name, 'WHITCOMB'. They measure 4.25 inches high, weigh a combined 5.35 troy ounces and are in excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26315662981,"sku":"A331","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a331_pi.jpg?v=1489743186"},{"product_id":"gorham-antique-mixed-metal-japanese-design-fruit-knives-set-of-6-providence-ri-c-1880","title":"Gorham Antique Mixed Metal Japanese Design Fruit Knives, set of 6, Providence, RI, c. 1880","description":"In their original box, these wonderful fruit knives consist of sterling blades with attached bronze handles with gilt highlights.\u003cbr\u003e\u003cbr\u003eAccording to Charles Carpenter in Gorham Silver (p. 100), 'The Japanese prototypes for Gorham's Japanese knives were the small ko-gatama knives with removable push-on handles called kodzuka'.\u003cbr\u003e\u003cbr\u003eThe shaped blades are engraved on both sides with bamboo and various flora.\u003cbr\u003e\u003cbr\u003eThe handles are beautiful castings. Made from two pieces which are soldered together, the handles have identical scenes on both sides.\u003cbr\u003e\u003cbr\u003eTextured surfaces are used as a background to the high relief of the decoration. Each of the six knives are unique in their design. \u003cbr\u003e\u003cbr\u003eThe various themes are of elaborate swords, foo dogs, monkeys, turtles, warriors and large coy fish. Gold is used to highlight the decorations.\u003cbr\u003e\u003cbr\u003eThe original box is covered in a patterned velvet with a branch and two birds on the top. It is lined with blue silk and stamped by the retailer 'MAX MEYER \u0026amp; BRO\/ OMAHA'. The underside of the box retains two labels. One is for 'Max Meyer \u0026amp; Bro.' and the other is from Gorham. Handwritten on the Gorham label is '#5 - 6 Fruit Kns\/ inlay' along with factory codes.\u003cbr\u003e\u003cbr\u003eThese wonderful knives are marked with Gorham's trademark and 'STERLING\/ 5'. They measure 7.75 inches long and are in very good condition with very minor wear to a couple of gilt spots.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26315810437,"sku":"A333","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a333_pi.jpg?v=1489684106"},{"product_id":"erik-magnussen-designed-for-gorham-modern-american-art-deco-sterling-silver-pitcher-providence-1928","title":"Erik Magnussen Designed for Gorham 'Modern American' Art Deco Sterling Silver Pitcher, Providence, 1928","description":"This stunning pitcher is a very rare examples of American art deco silver. Each of the four applied feet are comprised of pad feet with a disc above incised with eight horizontal lines. The large, cylindrical body is exquisite with its lovely reflective surface which gives the piece great presence. \u003cbr\u003e\u003cbr\u003eThe triangular shaped spout protruding from the front is a striking design feature. Around the top of the pitcher is a deeply incised horizontal line and around the bottom is a repeating pattern of two squares and a long rectangle. \u003cbr\u003e\u003cbr\u003eThe Bakelite handle has flat sides with curved edges and fits into two silver collars. It is also pinned to give the handle strength.\u003cbr\u003e\u003cbr\u003eThe geometric shapes, design and scale of this pitcher are exceptional. According to a report by Sam Hough derived from the Gorham Archives, only 6 of these pitchers were ever made. One is currently in the collection of The Minneapolis Institute of Art and another is in the collection of The Metropolitan Museum of Art (this one previously owned and sold by Spencer Marks).\u003cbr\u003e\u003cbr\u003eErik Magnussen was an important Danish silversmith hired by Gorham from 1926 to 29 to develop silver in the 'modern' style. During this brief period he designed very creative and beautiful silver. He developed the 'Modern American' line in 1928. When Gorham was marketing this line of silver, the American market was not ready for it, preferring conservative colonial styled silver. Hence Gorham had a great deal of trouble selling Magnussen's forward looking silver. As the great depression took hold, Gorham reduced retail prices and still did not sell much of Magnussen's silver. It is generally believed that much of Magnussen's silver was eventually destroyed by Gorham. It is for these reasons that today American art deco silver is extremely rare, very much appreciated and highly sought after by collectors and museums. (See \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter.) \u003cbr\u003e\u003cbr\u003eThis rare sterling silver pitcher is marked with Gorham's trademark, 'GORHAM', 'STERLING', the model number 14058 and Magnussen's trademark. It measures 10.25 across the handle and spout by just under 8.5 inches high to the top of the handle. It weighs 40.30 troy ounces and is in very good\/ excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26317669381,"sku":"A428","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a428_pi.jpg?v=1489767772"},{"product_id":"pair-of-gorham-antique-coin-silver-medallion-pattern-goblets-providence-ri-c-1861-8","title":"Gorham Pair of Antique Coin Silver 'Medallion' Pattern Goblets, Providence, RI, c. 1861-8","description":"This beautiful pair of goblets was made by Gorham in their famous 'Medallion' pattern. Each goblet features two medallions in a wonderful band of chased renaissance inspired floral arabesques. Both the rim and stem are adorned with die rolled Greek key decoration.\n\u003cp\u003eEach goblet measures 6.5 inches high and they weigh a combined 16.9 troy ounces. They are monogrammed 'S' in an old English style and are in outstanding crisp condition, retaining their original interior gilding.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26318467845,"sku":"A525","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A525_pi.jpg?v=1489688524"},{"product_id":"gorham-antique-sterling-silver-other-metals-childs-set-providence-ri-1881-83","title":"Gorham Antique Sterling Silver \u0026 Other Metals Child's Set, Providence, RI, 1881-83","description":"This rare mixed metal child's set consists of a bowl, plate and spoon. \u003cbr\u003e\u003cbr\u003eThe bowl, with canted corners, is adorned with four various japonesque scenes of butterflies in flight, a flower garden, a woman with parasol and a laborer carrying buckets walking over a bridge with a frog.\u003cbr\u003e\u003cbr\u003eThe frog and butterflies are brass and the other applied images are copper.\u003cbr\u003e\u003cbr\u003eThe bowl is further hand-engraved with foliate background. The spoon has applied sand motif from which blooms a applied copper flower. The unusual dish has overturned edges There are four applied birds in flight, a butterfly floral foliage and a frog. Once again, the frog is brass and the other images are copper. \u003cbr\u003e\u003cbr\u003eHand-engraved clouds and a village scene in the foreground of mountains decorate the plate. The plate and bowl are engraved 'Sidney Kent Becker\/ 1884' and the spoon is engraved on the back 'Sidney'.\u003cbr\u003e\u003cbr\u003eThis wonderful set is marked with Gorham's trademark and 'STERLING \u0026amp; OTHER METALS'. The bowl and plate are marked with the model numbers '250' and '250P' respectively. The plate measures 6.75 square. The bowl is 5 inches square by 3 inches high. The set weighs a combined 20.25 troy ounces and is very good antique condition with slight wear to the highlights. Having a set stay with its original pieces is quite a rare find. We have not been able to find out who Sidney was but we are sure he ate in style from a very early age.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26318636101,"sku":"A55","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A55_pi.jpg?v=1489688741"},{"product_id":"gorham-antique-sterling-silver-figural-candy-dish-providence-ri-1872","title":"Gorham Antique Sterling Silver Figural Candy Dish, Providence, RI, 1872","description":"This is a charming and very rare piece of figural silver by Gorham. The body is boat-shaped with the sides engraved to resemble wooden boards and nails. The four cast and applied feet are in the form of shells. The central pedestal handle is beautifully engraved at the base 'JFF'. It is surmounted with the wonderful scene of two sailors turning a capstan to weigh anchor. The interior of this dish is gilded and the interior has a lovely overall matte finish. \u003cbr\u003e\u003cbr\u003eThis rare nautical inspired sterling dish is marked with Gorham's trademark, 'STERLING\/ 100\/ E\/ STARR \u0026amp; MARCUS'. The 'E' is the 1872 date mark and Starr \u0026amp; Marcus were famous New York retailers. This lovely dish measures 7 inches long by 3 inches deep by 3.5 inches high, weighs 9.75 troy ounces and is in excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26319692229,"sku":"A610","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A610_pi.jpg?v=1489690817"},{"product_id":"erik-magnussen-for-gorham-art-deco-large-covered-centerpiece-providence-ri-1925","title":"Erik Magnussen for Gorham Art Deco Large Covered Centerpiece, Providence, RI, 1925","description":"An exceptional example of art deco silver by one of the most famous designers of the style, this is a rare centerpiece with its original removable pierced cover. The use of plain surfaces and sections with scored lines give the piece a stylish design with subtle movement. \u003cbr\u003e\u003cbr\u003eThe base and stem are made in four sections. The lowermost piece is a flaring base mounted to a small dome. This connects to the bulbous stem which is connected with a flaring ring to the bowl. Sixteen vertical lines travel downward and shape themselves proportionately to the various planes of the surfaces. The various shapes of the surface also reflect magnificently the surrounding areas. It is brilliantly designed and executed as is the rest of the piece. \u003cbr\u003e\u003cbr\u003eAs with the foot, 16 scored lines on the bowl radiate upwards from the column. The interior is adorned with the raised lines emanating from a central circle. One of the outside panels is engraved with a lovely 'S' between the dates '1903' and 1928 - obviously a very nice 25th anniversary present.\u003cbr\u003e\u003cbr\u003eThe cover is a stunning dome also made from multiple parts. The sixteen triple-scored lines radiate outwards from the dome further embellished with semi-circle devices to their sides, striking art deco ornamentation. This cover has a secondary section underneath which secures it onto the bowl. This also acts to better support flower arrangements. To be consistent and complete the design, the bold finial is also scored with 16 lines. \u003cbr\u003e\u003cbr\u003eRadiating scored lines, geometric shapes and naturalistic decoration became the hallmark of Magnussen designs at Gorham. After the Paris 'Art Deco' exhibition of 1925, Gorham sought to develop a line of silver in the 'moderne' style popular in Europe and they found an accomplished Danish silversmith, Erik Magnussen, to do so. He was given his own workforce and great leeway in designing objects. \u003cbr\u003e\u003cbr\u003eGorham's records indicate that the C\/YA centerpiece is the only one made, although it may have been the prototype for second similar centerpiece with a different code. Interestingly, it appears that Magnussen himself chased this piece. (His chasing was charged at $1.80 an hour whereas a typical chaser at that time earned $0.80 an hour - times have changed.)\u003cbr\u003e\u003cbr\u003eThis centerpiece was the vanguard of modern design in the United States. The American public did not warm to modern design until years later and very few early modern items like this were ever made at that time. Such items are exceedingly rare - not only did they not sell well, but many that made but did not sell were melted by Gorham during the depression.\u003cbr\u003e\u003cbr\u003eThis remarkable sterling silver centerpiece\/ floral arranger is marked underneath with Gorham's trademark and 'GORHAM\/ STERLING\/C\/YA' and with the date mark of 1925. This is one of the first pieces of documented Magnussen silver ever made by Gorham. \u003cbr\u003e\u003cbr\u003eThis rare art deco silver centerpiece measures just over 11.50 inches in diameter by 11 inches to the top of the finial. It weighs 58.65 troy ounces and is in excellent condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26320046085,"sku":"A650","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a650_pi.jpg?v=1489691998"},{"product_id":"gorham-antique-silver-overlay-porcelain-whiskey-jug-providence-ri-c-1896","title":"Gorham Antique Silver Overlay Porcelain Whiskey Jug, Providence, RI, c. 1896","description":"This unusual and rare decanter was produced in a collaboration between Gorham and the Ceramic Art Company.\u003cbr\u003e\u003cbr\u003eThe Ceramic Art Company, which made exceptional porcelain and china, eventually become the famous Lenox company in 1906. This jug is produced in a rare magenta colored (glazed) body with a large panel on one side featuring a wonderful painting.\u003cbr\u003e\u003cbr\u003eThe painting is of a friar holding up a glass ready for a toast. With a jovial face, he sits before a whiskey barrel with a cooked chicken and bread. The theme, mood and quality of the painting is wonderful.\u003cbr\u003e\u003cbr\u003eThe silver overlay is stunning against the colored background. Large swirling foliage travels around the body. The splayed foot is totally encapsulated with silver as is the top of the spout and the handle which acts to protect the porcelain. A cartouche on the front is engraved 'GRMcG'. \u003cbr\u003e\u003cbr\u003eAn original clasp and chain attach the original stopper to the . The cork underneath the stopper is a later (working) replacement.\u003cbr\u003e\u003cbr\u003eThis rare item is marked underneath the porcelain 'CAC' within a wreath. The silver is marked with Gorham's trademark along with 'C2350' and the almost pure silver designation '999\/1000 Fine'. It measures 7 inches high and is in very good antique condition with a very minor nick to the silver by the painting (visible in the photos, around 4 o'clock).","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26321573893,"sku":"A657","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a657_pi.jpg?v=1489696802"},{"product_id":"gorham-antique-sterling-silver-figural-centerpiece-bowl-or-fruit-stand-providence-ri-1868-retailed-by-tiffany-company","title":"Gorham Antique Sterling Silver Figural Centerpiece Bowl or Fruit Stand, Providence, RI, 1868, retailed by Tiffany \u0026 Company","description":"This is a wonderful centerpiece or fruit stand with exceptional design. The circular bowl has an deep horizontal fluted edge bordered by a ring of fine beading. The unusual loop handles are flanked with classical scroll devices with artichoke decoration.\u003cbr\u003e\u003cbr\u003eThe bowl has an unadorned shiny surface which reflects its surroundings beautifully. The interior is beautifully engraved with decorative devices and foliage. The grey areas you see in the picture below are reflections from the studio.\u003cbr\u003e\u003cbr\u003eThe base is a circular stepped dome. The shape of the base edge compliments the shape of the bowl. A row of matching but larger beading encircles the foot.\u003cbr\u003e\u003cbr\u003eThe pedestal stem is an exceptionally cast figure of a draped woman. Barefoot and standing on a stippled dome, again with matching beading, her arms are raised as if to hold the weight of the bowl and its contents as she gazes to her left. Once again, the quality and details of the casting are spectacular.\u003cbr\u003e\u003cbr\u003eThe layered drape clothing is beautifully executed. One sees the high degree of detail on both the front and back of the figure and how naturally the gown drapes.\u003cbr\u003e\u003cbr\u003eThe contrast between the plain, reflective surfaces of the bowl and foot and the exquisite castings create this wonderful sculptural centerpiece.\u003cbr\u003e\u003cbr\u003eThis rare bowl is marked underneath with Gorham's trademark along with 'STERLING', the model number 165 and the 'A' date mark of 1868. It is also stamped 'T\u0026amp;CO' which means it was actually retailed by Tiffany \u0026amp; Co. in New York City. The bowl measures 14 inches across the handles and the piece stands 12 inches high, weighs 41.70 troy ounces and is in excellent antique condition with very light wear to the interior of the bowl. It has never been monogrammed.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26322444741,"sku":"A663","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a663_pi.jpg?v=1489698657"},{"product_id":"gorham-mfg-co-sterling-silver-gilt-and-cut-glass-pair-of-dessert-stands-designed-and-executed-for-the-worlds-columbian-fair-1893","title":"Gorham Sterling Silver Gilt and Cut Glass Pair of Dessert Stands, designed and executed for the World's Columbian Exposition, 1893","description":"Gorham Sterling Silver Gilt and Cut Glass Pair of Dessert Stands, designed and executed for the World's Columbian Fair, 1893\n\u003cp\u003eDesigned and executed expressly for the Columbian Exposition of 1893, these extraordinary and unique compotes are sterling silver with original all-over gilding. Each supports a fine ruby cut to clear glass basket cut with fine neoclassical decoration. These baskets sit in fitted rings with attached cast laurel wreaths. Four fluted columns rise from the cast square platform base which stands on four scrolling feet, each bearing a boldly cast winged griffin. Classical details of acanthus and anthemia, scrolling volutes and arabesques, laurel and wreaths abound throughout the design.\u003cbr\u003e\u003cbr\u003eNearly every piece is cast with hand chased detail. Creating the molds for casting is the most expensive process in the making of silver and since the cost could not be amortized over a large production, these pieces were extremely expensive to make. Gorham records indicate that each compote took 26 hours of casting (this does not include the creation of the molds) and 168 hours of chasing to finish the casting. The factory cost of these compotes was $300 each, with a presumed retail price between $500-600 each(1). This was a very significant sum during a period when a highly skilled and well-paid silver chaser might earn $15-20 a week.\u003cbr\u003e\u003cbr\u003eThese exceptional pieces measure 8 inches high by 9 3\/4 inches in diameter. They are in outstanding condition, have never been monogrammed and weigh a combined 93.8 troy ounces. Each is marked 'STERLING', the special order number 'S1021' and with Gorham's trademark and date code.\u003cbr\u003e\u003cbr\u003eGorham's records indicate that this pair of dessert stands was part of a larger dessert service which included a plateau, an epergne, two smaller compotes and six candlesticks.(2) These two compotes are the only known survivors of this service.(3) Gorham had a documented relationship with glass maker H. G. Hawkes, of Corning New York. These custom ordered glass bowl inserts are not signed, but Hawkes or Sinclair seem the most likely makers.\u003cbr\u003e\u003cbr\u003eNot only did Gorham win an award for their gilt silver at the Columbian Exposition (see below for details), \u003cem\u003eThe New York Times\u003c\/em\u003e wrote about this service both times it covered Gorham's exhibit at the fair. \u003cbr\u003e\u003cbr\u003eWhen discussing Gorham's gilt silver at the World's Columbian Exposition, \u003cem\u003eThe New York Times\u003c\/em\u003e stated on September 20, 1893:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eIt [Gorham's gilt silver] illustrates…American silversmiths can also do the highest class of European work. In a gilded dessert set with plateau, the very highest type of this work is shown. The set is correct Louis XVI in design, and the dishes are beautiful examples of cut ruby glass.(4)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIn early 1894 after the close of the Columbian Exposition, Gorham organized a special exhibit of custom pieces from the fair at their New York store on Broadway at 19th Street. According to \u003cem\u003eThe New York Times\u003c\/em\u003e, the dessert service was shown on a table by the entrance: 'Everything in the room is of the most artistic design.'(5)\u003cbr\u003e\u003cbr\u003eThe importance that managers at Gorham placed on the dessert service is evidenced by their record keeping. Records for the service are not kept with other special order records, but in volume 36, which selectively includes only the very best pieces produced by the company between 1889 and 1907. In fact, the compotes are listed on the same page as the 'Nautilus Centerpiece' (see below), now in the collection of the Dallas Museum of Art.(6) \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003e\n\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/1893_expo_interior_columbus_525.jpg?v=1489781855\" alt=\"Gorham's display at the World's Columbian Fair 1893\"\u003e\u003cbr\u003eGorham Company Archives, John Hay Library, Brown University.\u003c\/h6\u003e\n\u003cp\u003eGorham's outstanding skill at casting was on display for all to see at the Columbian World's Fair – the life sized statue of Columbus was one of the most talked about pieces of silver at the fair. Made from 30,000 ounces of silver (one full ton)(7), it was a technical and artistic triumph. The statue dominated the Gorham display. As \u003cem\u003eThe New York Times\u003c\/em\u003e noted about silver at the Columbian Exposition, '…America unquestionably takes first rank, 'and felt specifically of, 'The Gorham Company as representative of this high development in silversmithing.'(8)\u003cbr\u003e\u003cbr\u003eDuring the 19th century, international expositions, or world's fairs, became the most prestigious marketing avenue for luxury retailers. Companies would invest exceptional resources to create their displays. These expositions became the equivalent of selling to royalty during an earlier era: only the very best would do. The publicity surrounding the fair could make, or break, a firm's reputation. \u003cbr\u003e\u003cbr\u003eMany of the objects on show were prohibitively expensive to all except the very wealthiest clients. Companies took significant financial risk making these masterpieces. Gorham's Nautilus Centerpiece made for the Columbian Exposition did not sell until 1921, 28 years later.(9)\u003cbr\u003e\u003cbr\u003eThe 1893 Columbian World's Fair was truly spectacular. To celebrate the 400th anniversary of Columbus finding the new world, an entire city was built on the shores of Lake Michigan in Chicago. It covered 686 acres and included 300 specially constructed buildings.(10)\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003e\n\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/columbian_expo_grand_court_cropped_large.jpg?v=1489781268\" alt=\"The Grand Court of Honor at the World's Columbian Fair 1893\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003eThe Grand Court of Honor at the World's Columbian Fair 1893\u003c\/h6\u003e\n\u003cp\u003eChicago architect Daniel Burnham managed the physical construction and maintenance of the facilities. A committee of leading architects involved with the fair including Burnham, Stanford White, Richard Morris Hunt, Louis Sullivan (assisted by a young Frank Lloyd Wright), Frederic Law Olmstead and others chose the theme of classicism to be the signature of the architecture at the fair. Built as a temporary facility, the buildings were constructed in composite materials meant to resemble white marble. The huge park became known as 'The White City.'\u003cbr\u003e\u003cbr\u003eDuring the six months it was open in 1893 there were 27.5 million visitors(11) to the fair, a particularly amazing number in light of the fact that the US census counted 63 million Americans in 1890. Considering that it occurred during a severe economic contraction made it an even greater success.\u003cbr\u003e\u003cbr\u003eSo successful was the Exposition that it began a massive classical revival at the turn of the century. The most lasting example can be seen today in Washington, D.C. where many federal buildings were built after the fair in the classical style – a permanent 'white city'. (In fact, Burnham worked in Washington, D.C., too: Union Station is his 1903 design. New York's 'Flat Iron Building', generally considered the first 'skyscraper', is also Burnham's design.)\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003e\n\u003cimg alt=\"The Manufactures and Liberal Arts Building - Gorham's exhibit at the center of this huge building.\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/columbian_expo_manu_building_cropped_b.jpg?v=1489781256\" style=\"display: block; margin-left: auto; margin-right: auto; float: none;\"\u003eThe Manufactures and Liberal Arts Building - \u003cbr\u003eGorham's exhibit was at the center of this huge building.\u003c\/h6\u003e\n\u003cp\u003eThe Manufactures and Liberal Arts Building, where Gorham's exhibit was center stage, was the largest building constructed to date. Three times the size of St. Peter's in Rome, it covered 31 acres with the roof rising 245 feet with no supporting columns in the center.(12) The central hall could 'comfortably' seat 50,000(13) and 150,000 people crowded in on opening day.(14) Gorham's exhibit, next to Tiffany's, was under the central dome where murals by J. Alden Weir displayed the 'Goldsmith's Art'.(15)\u003cbr\u003e\u003cbr\u003eIn the gold and silverware category, Gorham dominated the exposition. Winning 30 awards, they earned twice the number of prizes of their nearest competitor, Tiffany \u0026amp; Co. who won 15. Included in Gorham's awards were prizes for gilt silver, silver mounted cut glass and crystal, and 'artistic display of exhibit as a whole.'(16) The Royal Museum in Berlin purchased several objects from Gorham at the fair.(17)\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe New York Times\u003c\/em\u003e and other observers noticed Gorham's achievement at the World's Columbian Exposition in 1893. The Gorham designers, directed by William Codman and Antoine Heller, led a group of virtuoso artisans crafting an exhibit that impressed all. The French Government, in their report on the Columbian Exposition, compared Gorham to Tiffany and noted that Gorham, 'is able to produce artistic and decorative work, calling for the highest skilled and careful hand labor.'(18)\u003cbr\u003e\u003cbr\u003eBy all accounts, Gorham's exhibit at the World's Columbian Exposition was a stunning success. Gorham had met the challenge of the international exhibition and it would be only a few years before they were generally acknowledged to be the leading silversmithing firm in the world. These dessert stands, and the service they came from, were admired far and wide and helped develop Gorham's future world class reputation. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExhibition: \u003c\/strong\u003eWorld's Columbian Exposition, Chicago, 1893.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSamuel Hough, \"The Gorham Silver with Glass Compote S1021\" report\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGorham Special Costing Records\u003c\/em\u003e, Volume 36, p. 59, in the collection of the John Hay Library at Brown University.\u003c\/li\u003e\n\u003cli\u003ePrivate conversation with Samuel Hough, Dec. 12, 2007.\u003c\/li\u003e\n\u003cli\u003e'Silver At The World's Fair: In The Manufactured Article America Unquestionably Takes First Rank.' \u003cem\u003eThe New York Times\u003c\/em\u003e, 20 September 1893, p. 5.\u003c\/li\u003e\n\u003cli\u003e'An Art Exhibit Of Silverware: The Gorham Manufacturing Company's Special Display Of Its Manufactures.' \u003cem\u003eThe New York Times\u003c\/em\u003e, 23 January 1894.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eGorham Special Costing Records\u003c\/em\u003e, Volume 36, with interpretive thanks to Samuel Hough.\u003c\/li\u003e\n\u003cli\u003e'Silver At The World's Fair…', p. 5.\u003c\/li\u003e\n\u003cli\u003e'Silver At The World's Fair…', p. 5.\u003c\/li\u003e\n\u003cli\u003eCharles L. Venable, \u003cem\u003eSilver in America 1840-1940: a Century of Splendor\u003c\/em\u003e, (New York: Abrams, 1995), pp. 116-18.\u003c\/li\u003e\n\u003cli\u003eJohn M. Blades and John Loring, \u003cem\u003eTiffany at the World's Columbian Exposition\u003c\/em\u003e (Palm Beach: Henry Morrison Flagler Museum, 2006), p. 14.\u003c\/li\u003e\n\u003cli\u003eBlades \u0026amp; Loring, p. 14\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Columbian Portfolio: Photographs of the World's Fair\u003c\/em\u003e (Jones Brother Publishing Companies, 1893), unpaginated.\u003c\/li\u003e\n\u003cli\u003eIbid.\u003c\/li\u003e\n\u003cli\u003eBlades \u0026amp; Loring, p. 14.\u003c\/li\u003e\n\u003cli\u003eDerrick R. Cartwright, 'J Alden Weir's Allegorical figure of 'goldsmith's art' for the dome of the Manufactures and Liberal Arts Building, 1892' in \u003cem\u003eBulletin – Museums of Art and Archaeology\u003c\/em\u003e (Ann Arbor: University of Michigan, 1989-1991), Volume 9, pp. 58-77.\u003c\/li\u003e\n\u003cli\u003e'Silver At The World's Fair…', p. 5.\u003c\/li\u003e\n\u003cli\u003e'Awards At The Fair. Exhibitors In Several Classes Favored With Medals.' \u003cem\u003eThe Chicago Tribune\u003c\/em\u003e, 3 October 1893, starting p. 5.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e'International Exposition of Chicago, 1893, Committee 24, Jewelry, Gold \u0026amp; Silverware',\u003c\/em\u003e Report by the French Ministry of Commerce, as quoted in Charles Carpenter, \u003cem\u003eGorham Silver\u003c\/em\u003e (New York: Dodd, Mead \u0026amp; Co., 1982), p. 207.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26360018501,"sku":"A722","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a722_ant_mag_compotes_pi.jpg?v=1489782310"},{"product_id":"gorham-birds-nest-antique-sterling-silver-pierced-ladle-providence-ri-c-1870","title":"Gorham \"Bird's Nest\" Antique Sterling Silver Pierced Ladle, Providence, RI, c. 1870","description":"This is an exceptional pierced ladle or sugar sifter in Gorham’s very rare 'Bird's Nest' pattern. Introduced c.1865, this pattern is one of the rarest and most unique of the American naturalistic designs in silver. It is comprised of multiple castings which were later hand-finished for detail and assembled into the various serving pieces. The handle is in the form of a tree branch that splits into 3 branches at the top which holds the bird's nest. The base of the handle has 2 large leaves which act as both decoration and support. The beautifully cast, 3-dimensional nest contains 3 gilded eggs. The fully cast bird with wings spread is perched on the handle watching over the eggs.  \u003cbr\u003e\u003cbr\u003eThe bowl is in the shape of a bucket The flat bottom has circular holes and the sides are pierced with foliage displays.\u003cbr\u003e\u003cbr\u003eThis lovely ladle is marked on the back of the bowl with Gorham's trademark and 'STERLING'. It measures 6.25 inches long, weighs 1.10 troy ounces and is in excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26360915141,"sku":"A757","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a757_pi.jpg?v=1489783842"},{"product_id":"gorham-antique-sterling-silver-porringer-providence-ri-1874","title":"Gorham Antique Sterling Silver Porringer, Providence, RI, 1874","description":"This is a stunning porringer of exceptional quality, design and craftsmanship. The deep, circular bowl has a stunning applied, die-rolled band. Against a stippled background are repeating scenes of a winged cherub riding sea horses following a mermaid and two dolphins. Ornamental grasses separate the scenes. This rare band was designed by George Wilkinson and used as part of the famous Furber service. (1) \u003cbr\u003e\u003cbr\u003eThe elaborate handles consist of two sections. The upper plates are beautifully pierced with classical foliate decoration. The main handle is a stunning display of finely pierced and scrolling foliage. The shaped handle also has an applied flower in bloom at its end.\u003cbr\u003e\u003cbr\u003eThis rare item is marked with Gorham's trademark and 'STERLING\/ 25\/ G'. The bowl is just shy of 2.5 inches high with the exterior rim of the bowl measuring 4.75 inches in diameter. The length over the handle is 7.5 inches long. The porringer has never been engraved, weighs an impressive 9.60 troy ounces and is in excellent antique condition.\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eEndnote:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCharles H. Carpenter in\u003cem\u003e Gorham Silver 1831-1981\u003c\/em\u003e, (New York: Dodd, Mead \u0026amp; Co., 1982), pp 68-70. While Carpenter attributes the design of this banding to Thomas Pairpoint, George Wilkinson holds at least two design patents for nearly identical bands so we are giving him credit.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26361431493,"sku":"A762","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a762_pi.jpg?v=1489786257"},{"product_id":"gorham-antique-sterling-silver-covered-porringer-providence-ri-1874","title":"Gorham Antique Sterling Silver Covered Porringer, Providence, RI, 1874","description":"This is a stunning and large porringer of exceptional quality, design and craftsmanship. It is also very rare to find a covered porringer - especially still with its cover. The removable cover has a dome top with a matte finish and an applied, reeded finial. \u003cbr\u003e\u003cbr\u003eThe deep, pan-shaped bowl has a stunning applied, die-rolled band. Against a stippled background are repeating scenes of a winged cherub riding sea horses following a mermaid and two dolphins. Ornamental grasses separate the scenes. This rare band was designed by George Wilkinson and used as part of the famous Furber service. (1)\u003cbr\u003e\u003cbr\u003eThe elaborate handle is very similar to a rare Gorham pattern called 'Angelo'. It is beautifully shaped and terminates at the base with a classical styled applied leaf and floral decoration. It is monogrammed in a gothic style 'C' over 'AL'.\u003cbr\u003e\u003cbr\u003eGorham's records clearly document that this is a porringer. It had a net factory, or wholesale, cost of about $44.002 meaning about $55.00 - $60.00 retail. A very expensive child's gift in 1874.\n\u003cp\u003eThis extremely rare item is marked with Gorham's trademark and 'STERLING\/ 25\/ G'. The bowl is just shy of 2.5 inches high with the exterior rim of the bowl measuring 5.5 inches in diameter. The length over the handle is 10 inches. It weighs an impressive 13.05 troy ounces and is in excellent antique condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCharles H. Carpenter, \u003cem\u003eGorham Silver 1831-1981\u003c\/em\u003e, (New York: Dodd, Mead \u0026amp; Co., 1982), pp 68-70. While Carpenter attributes the design to this banding to Thomas Pairpoint, George Wilkinson holds at least two design patents for nearly identical bands so we are giving him credit.\u003c\/li\u003e\n\u003cli\u003eSilver Ware Costing Book Volume 6, Page 282, Gorham Silver Company Archives, John Hay Library, Brown University.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26361605189,"sku":"A763","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a763_pi.jpg?v=1489786785"},{"product_id":"gorham-sterling-silver-polar-ice-bowl-and-tongs-c-1882","title":"Gorham Sterling Silver 'Polar' Ice Bowl and Tongs, Providence, RI, c. 1882","description":"\u003cp\u003eThe most iconic of American ice bowls, this Gorham masterpiece is formed in the shape of naturalistic ice floes surmounted on each end by a realistic cast polar bear. This whimsical piece celebrates the 1867 purchase of the Alaska Territory from Russia and the visual metaphor of ice in the Polar Regions. It is extremely rare to find the ice bowl and ice tongs together. \u003cbr\u003e\u003cbr\u003eIce bowls are a wonderful symbol of American ingenuity.\u003cbr\u003e\u003cbr\u003eIt is easy to forget how important ice was in a world before the refrigerator. Unlike Western Europe, North America produced abundant supplies of clean ice. The clean rivers and lakes along with the cold winters allowed for bountiful ice 'harvesting' in the winter and early spring. Americans developed this resource and created markets for it by exploiting needs in tropical areas. \u003cbr\u003e\u003cbr\u003eIn the early 19th century, Frederic Tudor and his Wenham Lake Ice Company improved insulating techniques so his ice could be shipped afar to the West Indies and even Calcutta, India. Henry Thoreau mentions the 'harvesting' of ice from Walden Pond.(1) An appendix to the 1880 U. S. census notes that 8 to 10 million tons of ice were harvested annually in the United States.(2)\u003cbr\u003e\u003cbr\u003eWenham Lake Ice became popular in Europe because, unlike old world ice, it was clean enough to actually put in drinking water and other refreshments. Queen Victoria was so delighted with the clean ice in her drinks that the Wenham Lake Ice Company received a royal warrant!(3)\u003cbr\u003e\u003cbr\u003eThis very rare ice bowl and tongs are marked with Gorham's trademark and 'STERLING'. The bowl is also stamped with the '125' model number and the date mark for 1882. The tongs have the model number '63' marked on them. The bowl measures 10 ½ inches long by 7 inches high and weighs approximately 32 troy ounces. The tongs measure 12 ¼ inches long and weigh approximately 5 troy ounces. Both are in excellent antique condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGavin Weightman, \u003cem\u003eThe Frozen-Water Trade: A True Story\u003c\/em\u003e, (New York: Hyperion, 2003), pp. 169-70.\u003c\/li\u003e\n\u003cli\u003eWeightman, p. 231.\u003c\/li\u003e\n\u003cli\u003eWeightman, p. 184.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26375676549,"sku":"B022","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/B022_pi.jpg?v=1489848301"},{"product_id":"erik-magnussen-designed-for-gorham-important-pair-of-art-deco-sterling-silver-tazze-providence-c-1926","title":"Erik Magnussen for Gorham Important Pair of Art Deco Sterling Silver Tazze, Providence, c. 1926","description":"\u003cp\u003eThese large tazze are rare examples of Erik Magnussen's work. The unusual forms coupled with Magnussen's unique vision of modern silver is beautifully executed. The wide shallow bowls have 14 ridges emanating from a central circle. \u003cbr\u003e\u003cbr\u003eMade from multiple parts, the stems of the pedestals are most unusual. Scored with 16 incised lines, the spreading pedestal foot has a narrower section above shaped like a funnel. Above this section is a large, circular disc, also with 16 incised lines. The various elements and curved surfaces display wonderful reflections. \u003cbr\u003e\u003cbr\u003eErik Magnussen was an important Danish silversmith hired by Gorham from 1925 to 1929 to develop silver in the 'modern' style. During this brief period he designed very creative and beautiful silver. Most Magnussen designed pieces were made in very limited quantities - from one to a couple dozen. It appears from Gorham's records that 12 of these compotes were made. (13 if you include the prototype.)\u003cbr\u003e\u003cbr\u003eTo introduce Magnussen's work to the United States in 1926, Gorham held concurrent exhibitions of his pieces at their flagship store on New York's Fifth Avenue and at the Metropolitan Museum of Arts' 10th annual American Industrial Art Exhibition of 1926-27. Due to the success of the Art Deco exhibition in Paris, this important exhibition at the Met was the first to display modern American objects not based on historical designs.\u003c\/p\u003e\n\u003cp\u003eGorham's exhibition at their store was also an important introduction for the public to Magnussen and his modern silver.  Gorham felt the introduction so important that they arranged an in store demonstration by Magnussen during the exhibit. This design appears to have  been part of the store's exhibit. \u003c\/p\u003e\n\u003cp\u003eIn the image below, this model compote can be seen lower left by the sign saying:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: center;\"\u003eERIK MAGNUSSEN\u003cbr\u003ecan now be seen on the\u003cbr\u003emain floor creating fine\u003cbr\u003esilverware\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Gorham display window featuring early Erik Magnussen designed silver\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/mag_window_800_from_IMG_0388.jpg?v=1521063649\" style=\"margin-top: 10px; float: none;\"\u003e\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003eThis rare image of a Gorham store window is courtesy of the Gorham Company Archives at the John Hay Library at Brown University\u003c\/h6\u003e\n\u003cp\u003eIt is extremely rare to find examples of the very earliest American art deco silver such as these. (We had a nut dish from this period years ago, see \u003ca href=\"https:\/\/www.spencermarks.com\/products\/erik-magnussen-for-gorham-prototype-sterling-silver-nut-bowl-and-tray-providence-ri-1926\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehere\u003c\/a\u003e.) \u003cbr\u003e\u003cbr\u003eWhen Gorham was marketing this line of silver, the American market was not ready for it, preferring conservative colonial styled silver. Hence Gorham had a great deal of trouble selling Magnussen forward looking silver. \u003cbr\u003e\u003cbr\u003eAs the great depression took hold, Gorham reduced retail prices and still did not sell much of Magnussen's silver. It is generally believed that much of Magnussen's silver was eventually destroyed by Gorham. It is for these reasons that today American art deco silver is extremely rare, very much appreciated and highly sought after by collectors and museums. (See \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter.) \u003cbr\u003e\u003cbr\u003eThese rare and important art deco silver tazze are marked with Gorham's trademark, 'GORHAM', 'STERLING', the sample code 'EGL' and Magnussen's trademark. They measure 10.25 inches in diameter and 5.5 inches high, weigh a combined 47.85 troy ounces and are in excellent antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26377060101,"sku":"B263","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/B263_pr_pi.jpg?v=1489855336"},{"product_id":"erik-magnussen-for-gorham-sterling-art-deco-bon-bon-dish-1929","title":"Erik Magnussen for Gorham Sterling Art Deco Bon Bon Dish, 1929","description":"This sterling dish is an exquisite example of the bold and sculptural designs of the Art Deco movement. A flat circular ring comprises the base. Three cast deer, with their heads turned backwards peering into the bowl, stand upon lobe-carved carnelians attached to the base. These cast whimsical animals can also be seen used as a motif in a Magnussen sculpture called 'Ornament' illustrated in \u003cem\u003eGorham Silver\u003c\/em\u003e by Carpenter (ill. 280, p. 211). The bowl is divided into 6 sections by hand raised lines coming together at a central circle.\u003cbr\u003e\u003cbr\u003eThis bon bon dish features two prominent traits of late 1920's Art Deco design. First, the element of 'static motion'- the deer are full of movement at the same time they are not actually moving. Second, the bowl is designed with the strong low horizontal emphasis that is such an important part of late 20's design.\u003cbr\u003e\u003cbr\u003eIn 1925, in a daring and forward-looking move, Gorham hired the famous Danish silversmith Erik Magnussen to develop a line of 'modern' silver. Magnussen designed the most important pieces of American Art Deco silver while he worked at Gorham. He often incorporated in his silver jewelry and holloware the use of semiprecious stones to enhance their beauty. \u003cbr\u003e\u003cbr\u003eAmerican Art Deco silver is extremely rare. The American market was not ready for it and Gorham had a great deal of trouble selling Magnussen designed silver. As the great depression took hold, Gorham reduced retail prices and still did not sell much of Magnussen's silver. It is generally believed that much of Magnussen's silver was eventually destroyed by Gorham.\u003cbr\u003e\u003cbr\u003eUnderneath, the base is marked with Gorham's trademark, 'GORHAM\/STERLIN G', the model number '14017' and with Erik Magnussen's famous 'E.M' signature mark. The base measures 5.5 inches in diameter and the height to the top of the deer's heads is 2.5 inches. It weighs 10.7 troy ounces (carnelians included).\u003cbr\u003e\u003cbr\u003eAccording to a report by Sam Hough derived from costing records at the Gorham archives, this dish was one of 12 made c. 1929. Each dish retailed for $55.00. It's also fun to note on the report that by January 1931 the dishes were being offered for $15.00, three quarters of their production cost, and that 'Gorham couldn't give them away'.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26377877125,"sku":"B328","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/B328_pi.jpg?v=1489858866"},{"product_id":"gorham-special-order-sterling-and-mixed-metals-yacht-commemorative-fancy-waiter-or-tray-providence-ri-1889-record-of-the-sachem","title":"Gorham Special Order Sterling and Mixed Metals Yacht Commemorative 'Fancy Waiter' or Tray, Providence, RI, 1889 - Record of the Sachem","description":"\u003cp\u003eGorham Special Order Sterling and Mixed Metals Yacht Commemorative 'Fancy Waiter' or Tray, Providence, RI, 1889 - Record of the Sachem owned by Jesse Metcalf\u003cbr\u003e\u003cbr\u003eThis is a large and exquisite tray documenting the accomplishments of the famous schooner Sachem. The interior is sterling and the frame is bronze. The interior exhibits exceptional engraving. A stunning engraving of the schooner is below the title 'Record of the Sachem'. The fineness of the engraved sails and rigging are a true portrait of the vessel.\u003cbr\u003e\u003cbr\u003eThree years of ownership are represented on this tray starting with 1886, the year she was finished being built. In her initial race for the coveted Goelet Cup on August 7th of that year she came in third, the only race during this ownership she did not win. She won her next race on Oct 7th racing from Brenton's Reef to Block Island.\u003cbr\u003e\u003cbr\u003eThe area underneath the schooner is engraved '1887' and lists her numerous winnings that year including The New York Yacht Club Regatta, Eastern Yacht Club Regatta, Morgan Cup Race, Newport Citizen's Cup, etc.\u003cbr\u003e\u003cbr\u003eThe last engraved section is for '1888'. The list of winnings for that year include Squadron Cruise Trophies, Goelet Cup, Martha's Vineyard Cup and Newport Citizens Cup. The full text of the engravings can be read at the bottom of the page.\u003cbr\u003e\u003cbr\u003eThis is a fascinating and beautiful testament to one of America's favorite sports and most famous and successful schooners.\u003cbr\u003e\u003cbr\u003eThe bronze frame is remarkable. Gorham's foundry produced some of the greatest bronzes of the period and the detail and work on this frame is amazing. The top has two winged putti leaning against a round shield that has never been engraved. It actually looks like a bulls-eye mirror. A beautiful backdrop of classical ornamentation including scroll devices, shells and foliage is lovely. \u003cbr\u003e\u003cbr\u003eThe exterior of the frame is a gadrooned edge and the interior is a border of bound reeds. Forty seven bolts attach the sterling interior to the frame. All the nuts are original, although one is missing. There is a hanger on the back which also appears old - most likely it was hung on a wall for most of these years accounting for it's spectacular condition.\u003cbr\u003e\u003cbr\u003eDesigned by Edward Burgess and built by Lawley \u0026amp; Sons, Sachem helped Burgess cement his reputation as America's leading yacht designer. After her initial ownership by F.T. Adams, Sachem was owned jointly by Jesse Metcalf of Rhode Island and Charles Owen, who sold the yacht to Charles H. Smith of New York in December of 1888.(1) Metcalf commissioned Gorham to make this 'fancy waiter' to celebrate his ownership of this historic yacht.\u003cbr\u003e\u003cbr\u003eGorham's records indicate the 'fancy waiter' ordered by Jesse Metcalf was completed in July of 1889. It took 82 hours to assemble ('making'), 50 hours to engrave the center and another 23 hours to cast and hand chase the border. It had a net factory cost of $250.00, likely translating into a $400.00 retail price - a significant sum at the time. Gorham felt the 'fancy waiter' so special that the costing record was placed in cost book 'H', where records for the very best objects were kept. The 'fancy waiter' was entered near pieces sent to the 1889 Paris Exposition.(2)\u003cbr\u003e\u003cbr\u003eThis rare waiter is marked on the reverse with Gorham's trademark along with 'STERLING', the year mark for 1889 and the special order code '782'. It measures 29 inches wide by 21 inches tall. Out of the frame, the sterling insert weighs 90.4 troy ounces. Both the bronze frame and sterling insert are in excellent condition. The bronze frame, when we acquired it, had been stripped of its patina and we had it professionally repatinated.\u003c\/p\u003e\n\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\n\u003col\u003e\n\u003cli\u003e\"THE YACHT SACHEM SOLD\" in The New York Times, 29 December 1888.\u003c\/li\u003e\n\u003cli\u003eGorham Archives, Cost Book Vol. 'H', p. 13.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eText from the Gorham 'Fancy Waiter' - Record of the Sachem:\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e1886\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Sachem's first race was for the Goelet Cup at Newport Aug 7th, when out of the builder's hands two weeks, and her crew were not accustomed to her, she came in third, however, in a fleet of eleven schooners.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eOct 1 she sailed a match race with the English schooner Miranda, twenty miles to windward, from Brenton's Reef to Block Island, beat Miranda 8 min 44 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e1887\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNew York Yacht Club Regatta June 5, won first prize, beat the Montauk 9 min.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEastern Yacht Club Regatta June 23, first prize, beat the Iroquois 6 min 40 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMorgan Cup Race Vineyard Haven to Marblehead, Aug 8, beat Iroquois 40 min 44 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eEastern Yacht Club Regatta, August 11, beat Iroquois 3 min 44 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eProvidence City Cup race, East Chop to Brenton's Reef, Aug 15, Beat Magic 11 min 40 sec giving double time allowance.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNewport Citizens Cup race, Aug 16, beat Magic, 2 min 20 sec giving double time allowance, and by private arrangement, the Magic received the Cup.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e1888\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSquadron Cruise Trophies, New London to Newport, Aug 9, beat Sea Fox 4 min 28 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eGoelet Cup races, Aug 10, beat Grayling 12 min 29 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMartha's Vineyard Cup race, Aug 11, beat Sea Fox 4 min 55 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eSquadron Cruise Trophies, New Bedford to Newport, Aug 17, beat Miranda, 8 min 3 sec.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eNewport Citizens Cup race, Aug 20, beat Iroquois, 51 min, giving double time allowance.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26380310085,"sku":"B633","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/b633_pi.jpg?v=1489867451"},{"product_id":"gorham-josephine-pattern-antique-coin-silver-mustard-ladle-providence-ri-1855-67","title":"Gorham 'Josephine' Pattern Antique Coin Silver Mustard Ladle, Providence, RI, 1855-67","description":"\u003cp\u003e'Josephine' is a lovely pattern which features a threaded edge and an acanthus leaf at the top. The Smithsonian has a spoon in this pattern with the initials 'MTL' which belonged to Abraham Lincoln and his wife, Mary Todd Lincoln' (see \u003cem\u003eGorham Silver\u003c\/em\u003e, p. 48). The handle underneath the leaf is engraved 'LBF'.\u003c\/p\u003e\n\u003cp\u003eThis wonderful coin silver server is marked on the back 'COIN\/ PAT1855'. It measures just shy of 5.5 inches long, weighs .55 troy ounces and is in excellent antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26381921605,"sku":"B757","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/b757_pi.jpg?v=1489873739"},{"product_id":"gorham-antique-sterling-silver-liquor-flask-in-the-form-of-a-canopic-jar-providence-ri-1884","title":"Gorham Antique Sterling Silver 'Liquor Flask' in the form of a Canopic Jar, Providence, RI, 1884","description":"This is an exceptionally rare and fascinating flask. Obviously inspired by the American Egyptian Revival of the 1870's and 80's, this striking object features a mummy sarcophagus with a pharaoh's head and hieroglyphics. The body has a wavy texture produced by the difficult process of reticulation.\u003cbr\u003e\u003cbr\u003eThe front of the body is hand-engraved with three columns of hieroglyphics. The twist-off cap of the pharaoh's head is a striking example of wonderful casting.\u003cbr\u003e\u003cbr\u003eSo, what is a canopic jar, you ask? Well, canopic jars were vessels used during the mummification process. Isn't it amusing that Gorham would create a liquor flask associated with the mummification process? \n\u003cp\u003eThis magnificent flask is marked underneath with Gorham's trademark and 'STERLING\/130)' and the 'Q' date code for 1884. It measures 6.5 inches high by 2.75 inches wide, weighs 6.30 troy ounces and is in excellent antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26382862917,"sku":"B751","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/b751_pi.jpg?v=1489876570"},{"product_id":"gorham-corinthian-pattern-antique-sterling-silver-macaroni-or-pasta-server-providence-ri-c-1870s","title":"Gorham 'Corinthian' Pattern Antique Sterling Silver 'Macaroni' or Pasta Server, Providence, RI, c. 1870's","description":"This striking serving instrument can be used for many articles of food but was initially intended for pasta or macaroni. The handle is in the 'Corinthian' pattern and designed with classically inspired decoration. A lovely 'C' monogram is engraved in the reserve. \u003cbr\u003e\u003cbr\u003eThe bowl has a shaped edge and is engraved with a classical design. A series of tines for scooping food is also delicately engraved. \u003cbr\u003e\u003cbr\u003eThis wonderful server is marked on the back with Gorham's trademark along with 'STERLING' and by the Boston retailer 'A. STOWELL \u0026amp; Co'. It measures 10.5 inches long, weighs 3.20 troy ounces and is in very good antique condition.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e From the collection of Dale E. Bennett\u003cbr\u003e\u003cstrong\u003eLiterature:\u003c\/strong\u003e \u003cem\u003eSilver Magazine\u003c\/em\u003e, \"America's Marvelous Macaroni Servers\" by Dale E. Bennett, July\/August, 2002, pp. 34-40.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26405581829,"sku":"A770","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a770_pi.jpg?v=1490016219"},{"product_id":"gorham-antique-sterling-silver-centerpiece-bowl-with-liner-providence-ri-1913","title":"Gorham Antique Sterling Silver 'Sample' Centerpiece Bowl with Liner, Providence, RI, 1913","description":"\u003cp\u003eThis is a rare and beautiful centerpiece bowl with its original removable liner. It is an English Charles I, or Jacobean, style piece with an updated interpretation and form. It is beautifully constructed with heavy gauge silver. The splayed, ring foot is pierced and decorated with engraved strap work.\u003cbr\u003e\u003cbr\u003eWonderful bands of rope design are applied around the base, the connection of the base and bowl and the underside of the upper rim. The body is stunning. The piercing is wonderful and the engraving is exquisite. The angelic face of the putti is surrounded by swirling foliate design incorporating heads of birds. This design is repeated four times around the side.\u003cbr\u003e\u003cbr\u003eThe bowl, although based on a mid 17th century piece, is quite modern in its appearance. It can be used with or without it's original silver plate liner.\u003c\/p\u003e\n\u003cp\u003eA 'sample' at Gorham is an internal special order, these are typically unique.  They were created by Gorham's designers to show Gorham at their very best.\u003cbr\u003e\u003cbr\u003eThis bowl is pictured in \u003cem\u003eAn Illustrated History of Silverware Design\u003c\/em\u003e by William Codman (p. 37) in the chapter on Elizabethan and Jacobean influence on design.\u003cbr\u003e\u003cbr\u003eThis rare bowl is marked underneath with Gorham's trademark along with 'STERLING', the sample code 'S N' and the date mark. It is also engraved 'London 1641'. The underside bears the inscription: 'Bequeathed to\/ Ella E. Chamberlin\/ by \/Gertrude M. Bain\/ May 1917'.\u003cbr\u003e\u003cbr\u003eThis stunning centerpiece measures 10.75 inches in diameter by 3.75 inches high, weighs an impressive 36.30 troy ounces and is in excellent condition. The interior of the liner has some wear and scratches.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26405891909,"sku":"A783","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a783_pi.jpg?v=1490017046"},{"product_id":"gorham-luxembourg-pattern-sterling-silver-pea-serving-spoon-c-1900","title":"Gorham 'Luxembourg' Pattern Sterling Silver Pea Serving Spoon, c. 1900","description":"Pea spoons are very uncommon and very useful servers. Wonderfully pierced in a dot and bellflower design, the circular bowl is enhanced on both sides with lovely gilding. The rococo inspired 'Luxembourg' pattern features classical scrolling elements along the handle and edge of the bowl.\u003cbr\u003e\u003cbr\u003eThis wonderful serving piece is marked with Gorham's trademark and 'STERLING'. It measures just under 8.5 inches long, weighs 2.65 troy ounces and is in excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26407873797,"sku":"A815","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/A815_pi.jpg?v=1490027509"},{"product_id":"gorham-special-order-antique-sterling-silver-sauce-boat-with-stand-providence-ri-1910","title":"Gorham Special Order Antique Sterling Silver Sauce Boat with Stand, Providence, RI, 1910","description":"Rarely does one find an original stand to a gravy or sauce boat and this unique Gorham example is spectacular.\u003cbr\u003e\u003cbr\u003eThe stand has an undulating edge with four dramatic shell adorned feet. Swirling foliate Rococo designs decorate the wide outer edge of the tray. The interior platform is plain and engraved with a gothic style 'M' monogram. \u003cbr\u003e\u003cbr\u003eAs with the base, the body and applied foot also have undulating sides and edges. The foot , along with fruit, shell and foliate decoration, have four dolphin mask feet.\u003cbr\u003e\u003cbr\u003eThe upper body has an applied rim to add ornamentation and strength. There are three blank cartouches; one on each side and one on the front. The unusual handle is a spectacular casting of a griffin. \u003cbr\u003e\u003cbr\u003eThe quality of the chasing on these pieces is outstanding. Gorham records indicate the sauce boat and stand had wholesale price of $160.00 in 1910, every bit as expensive as comparable pieces in the Martelé line.\u003cbr\u003e\u003cbr\u003eThis rare sauce boat and stand is marked underneath with Gorham's trademark along with 'THE GORHAM CO.\/ STERLING'. They are also marked with their special order codes of 'SYJ' and 'SYK'. The tray measures 8.75 inches long by 7 inches wide. The sauce boat measures 8 inches long by 4.25 inches wide by 4.75 inches high to the top of the figure. The set weighs a combined 28.65 troy ounces and is in stunning condition although one cartouche has had a very well done mono removal.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26408400069,"sku":"B754","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/b754pi.jpg?v=1490028998"},{"product_id":"gorham-gilt-silver-and-cut-glass-figural-vase-1893-made-for-the-worlds-columbian-exposition-in-chicago","title":"Gorham Gilt Silver and Cut Glass Figural Vase, 1893, made for the World's Columbian Exposition in Chicago","description":"A stunning and rare example of Gorham's work from 1893, this large vase consists of a hand-blown piece of clear glass hand-engraved and incised with classical bellflower swags, swirling foliate designs, florets, stars, etc. This amazing piece of glass is fitted into a sterling pedestal base with two handles which connect to the circular collar with a beaded rim. \u003cbr\u003e\u003cbr\u003eThe unusual pedestal base incorporates scroll decoration amongst wavy borders to create a lovely foot. Stunning female masks, most likely representing Columbia, are cast and applied at the sides underneath the handles. Flowing from the back of their hair and connecting each other are three-dimensional classical laurel wreaths realistically cast with leaf and berry motifs. Adding to the striking appearance of the vase is the overall gilding to the sterling silver.\u003cbr\u003e\u003cbr\u003eThe Gorham vase masks are very similar to both the Statue of Liberty and Statue of the Republic. Exposition pieces are quite rare and representative of the highest level of quality, design and innovation companies produced at the time. Columbia, the female representation of the United States, is actually the feminine of Christopher Columbus, for whom the World's Columbian Exposition was named. \u003cbr\u003e\u003cbr\u003eAccording to a report by Samuel Hough, an independent researcher working with the Gorham Archives, the 'S1040 Vase' costing slip 'indicates that it was completed 13 April, 1893, in time to be included in the Columbian Exposition in Chicago'. Gorham won many awards at the fair, including the award for gilt silver like this vase.\u003cbr\u003e\u003cbr\u003eA prevalent theme throughout the fair was beaux-arts classicism. This inspired the classical architecture and the many representations of the Republic including the famous 'Statue of the Republic' statue (aka Golden Lady or Columbia), a towering 65 foot high statue on a 40 foot high base of a gold gilt female figure with outstretched arms holding a globe, an eagle and a lance, her head adorned with a laurel wreath. \u003cbr\u003e\u003cbr\u003eIn a private conversation, Jane Spillman, curator at the Corning Museum of Glass, said that she believed this glass was made by Hoare. Hoare was an extremely fine Corning, NY, glass firm who was making exhibition glass for both Tiffany and Gorham during the period. It is interesting that while Hoare made glass for both firms, Gorham won the prize for silver mounted cut glass - for pieces such as this.\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/1893_expo_interior_columbus_525_large.jpg?v=1489781855\" alt=\"Gorham's display at the World's Columbian Exposition. Gorham Company Archives, John Hay Library, Brown Universi\"\u003e\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003eGorham's display at the World's Columbian Exposition. Gorham Company Archives, John Hay Library, Brown University.\u003c\/h6\u003e\n\u003cp\u003eGorham's outstanding skill at casting was on display for all to see at the Columbian World's Fair – their life sized statue of Columbus was one of the most talked about pieces of silver at the fair. Made from 30,000 ounces of silver (one full ton)1, it was a technical and artistic triumph. The statue dominated the Gorham display. As the New York Times noted about silver at the Columbian Exposition, '…America unquestionably takes first rank, 'and felt specifically of, 'The Gorham Company as representative of this high development in silversmithing.'(1)\u003cbr\u003e\u003cbr\u003eDuring the 19th century, international expositions, or world's fairs, became the most prestigious marketing avenue for luxury retailers. Companies would invest exceptional resources to create their displays. These expositions became the equivalent of selling to royalty during an earlier era: only the very best would do. The publicity surrounding the fair could make, or break, a firm's reputation.\u003cbr\u003e\u003cbr\u003eMany of the objects on show were prohibitively expensive to all except the very wealthiest clients. Companies took significant financial risk making these masterpieces. Gorham's Nautilus Centerpiece made for the Columbian Exposition did not sell until 1921, 28 years later.(2)\u003cbr\u003e\u003cbr\u003eThe 1893 Columbian World's Fair was truly spectacular. To celebrate the 400th anniversary of Columbus finding the new world, an entire city was built on the shores of Lake Michigan in Chicago. It covered 686 acres and included 300 specially constructed buildings.(3)\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003e\n\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/columbian_expo_grand_court_cropped.jpg?v=1489781268\" alt=\"The Grand Court of Honor at the World's Columbian Fair 1893\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003cspan\u003eThe Grand Court of Honor at the World's Columbian Fair 1893\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cp\u003eChicago architect Daniel Burnham managed the physical construction and maintenance of the facilities. A committee of leading architects involved with the fair including Burnham, Stanford White, Richard Morris Hunt, Louis Sullivan (assisted by a young Frank Lloyd Wright), Frederic Law Olmstead and others chose the theme of classicism to be the signature of the architecture at the fair. Built as a temporary facility, the buildings were constructed in composite materials meant to resemble white marble. The huge park became known as 'The White City.'\u003c\/p\u003e\n\u003cp\u003eDuring the six months it was open in 1893 there were 27.5 million visitors(4) to the fair, a particularly amazing number in light of the fact that the US census counted 63 million Americans in 1890. Considering that it occurred during a severe economic contraction made it an even greater success.\u003cbr\u003e\u003cbr\u003eSo successful was the Exposition that it began a massive classical revival at the turn of the century. The most lasting example can be seen today in Washington, D.C. where many federal buildings were built after the fair in the classical style – a permanent 'white city'. (In fact, Burnham worked in Washington, D.C., too: Union Station is his 1903 design. New York's 'Flat Iron Building', generally considered the first 'skyscraper', is also a Burnham design.)\u003c\/p\u003e\n\u003ch6 style=\"text-align: center;\"\u003e\n\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/files\/columbian_expo_manu_building_cropped_b_large.jpg?v=1489781256\" alt=\"The Grand Court of Honor at the World's Columbian Fair 1893\"\u003e\u003cbr\u003eThe Manufactures and Liberal Arts Building - \u003cbr\u003eGorham's exhibit was at the center of this huge building.\u003c\/h6\u003e\n\u003cp\u003eThe Manufactures and Liberal Arts Building, where Gorham's exhibit was center stage, was the largest building constructed to date. Three times the size of St. Peter's in Rome, it covered 31 acres with the roof rising 245 feet with no supporting columns in the center.(5) The central hall could 'comfortably' seat 50,000(6) and 150,000 people crowded in on opening day.(7) Gorham's exhibit, next to Tiffany's, was under the central dome where murals by J. Alden Weir displayed the 'Goldsmith's Art'.(8)\u003cbr\u003e\u003cbr\u003eIn the gold and silverware category, Gorham dominated the exposition. Winning 30 awards, they earned twice the number of prizes of their nearest competitor, Tiffany \u0026amp; Co. who won 15. Included in Gorham's awards were prizes for gilt silver, silver mounted cut glass and crystal, and 'artistic display of exhibit as a whole.'(9) The Royal Museum in Berlin purchased several objects from Gorham at the fair.(10)\u003cbr\u003e\u003cbr\u003eThe New York Times and other observers noticed Gorham's achievement at the World's Columbian Exposition in 1893. The Gorham designers, directed by William Codman and Antoine Heller, led a group of virtuoso artisans crafting an exhibit that impressed all. The French Government, in their report on the Columbian Exposition, compared Gorham to Tiffany and noted that Gorham, 'is able to produce artistic and decorative work, calling for the highest skilled and careful hand labor.'(11)\u003cbr\u003e\u003cbr\u003eBy all accounts, Gorham's exhibit at the World's Columbian Exposition was a stunning success. Gorham had met the challenge of the international exhibition and it would be only a few years before they were generally acknowledged to be the leading silversmithing firm in the world. This unique vase of cut crystal with sterling mounts would have been a lovely addition to their display. \u003cbr\u003e\u003cbr\u003eThis beautiful sterling and glass vase is marked underneath with Gorham's trademark, 'STERLING\/ S1040' and with the date mark of 1893. It measures 12 inches high by 6.5 inches across the handles and is in excellent antique condition. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExhibition History\u003c\/strong\u003e: World's Columbian Exposition, Chicago, 1893.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e'Silver At The World's Fair…', \u003cem\u003eThe New York Times\u003c\/em\u003e, 20 September 1893, p. 5.\u003c\/li\u003e\n\u003cli\u003eCharles L. Venable, \u003cem\u003eSilver in America 1840-1940: a Century of Splendor\u003c\/em\u003e, (New York: Abrams, 1995), pp. 116-18.\u003c\/li\u003e\n\u003cli\u003eJohn M. Blades and John Loring, \u003cem\u003eTiffany at the World's Columbian Exposition\u003c\/em\u003e (Palm Beach: Henry Morrison Flagler Museum, 2006), p. 14.\u003c\/li\u003e\n\u003cli\u003eBlades \u0026amp; Loring, p. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Columbian Portfolio: Photographs of the World's Fair\u003c\/em\u003e (Jones Brother Publishing Companies, 1893), unpaginated.\u003c\/li\u003e\n\u003cli\u003eIbid.\u003c\/li\u003e\n\u003cli\u003eBlades \u0026amp; Loring, p. 14.\u003c\/li\u003e\n\u003cli\u003eDerrick R. Cartwright, 'J Alden Weir's Allegorical figure of 'goldsmith's art' for the dome of the Manufactures and Liberal Arts Building, 1892' in \u003cem\u003eBulletin – Museums of Art and Archaeology\u003c\/em\u003e (Ann Arbor: University of Michigan, 1989-1991), Volume 9, pp. 58-77.\u003c\/li\u003e\n\u003cli\u003e'Silver At The World's Fair…', p. 5.\u003c\/li\u003e\n\u003cli\u003e'Awards At The Fair. Exhibitors In Several Classes Favored With Medals.' in \u003cem\u003eThe Chicago Tribune\u003c\/em\u003e, 3 October 1893, starting p. 5.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eInternational Exposition of Chicago, 1893, Committee 24, Jewelry, Gold \u0026amp; Silverware\u003c\/em\u003e, Report by the French Ministry of Commerce, as quoted in Charles Carpenter, \u003cem\u003eGorham Silver\u003c\/em\u003e (New York: Dodd, Mead \u0026amp; Co., 1982), p. 207.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26430586373,"sku":"B819","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/B819_pi.jpg?v=1490093748"},{"product_id":"erik-magnussen-for-gorham-sterling-silver-figural-candle-holders-1928","title":"Erik Magnussen for Gorham Sterling Silver Figural Candle Holders, 1928","description":"These unusual sterling candle holders are great examples of American Art Deco silver and unique, being the only two candlesticks of this design that Gorham ever made.\u003cbr\u003e\u003cbr\u003eEach candle holder features three cast whimsical fish. Their tails are attached to and support the socles while the jaws are attached to a circular ring base. The socles with raised outside edges are decorated with incised lines to form eight small panels. This unusual ring platform base along with figural animals supporting a dish was a design favored by Magnussen; the same technique can be seen on a nut dish we sold to The Carnegie Museum.\u003cbr\u003e\u003cbr\u003eThe Art Deco design element of 'static motion' (the appearance of movement in a stationary object) is achieved through the fine execution of the facial expressions, the placements and positioning of the fish and the definition of the dorsal and tail fins. \u003cbr\u003e\u003cbr\u003eIn 1925, in a daring and forward-looking move, Gorham hired the famous Danish silversmith Erik Magnussen to develop a line of 'modern' silver for the American market. Magnussen designed some of the most important American Art Deco silver while he worked at Gorham from 1925 to 1929.\u003cbr\u003e\u003cbr\u003eAmerican Art Deco silver is extremely rare. Americans were not ready for it and Gorham had a great deal of trouble selling Magnussen designed silver. As the great depression took hold, Gorham reduced retail prices and still did not sell much of Magnussen's silver. It is generally believed that much of Magnussen's silver was eventually destroyed by Gorham.\u003cbr\u003e\u003cbr\u003eAccording to a report by Sam Hough derived from costing records at the Gorham archives, these candle holders were the only two made in this design. They were made in early 1928 by Gorham at a cost of $32.00 and sold for a retail price of $60.00. \u003cbr\u003e\u003cbr\u003eUnderneath, the base is marked with Gorham's trademark, 'GORHAM\/STERLING', the model number '92' and with Erik Magnussen's 'E.M' signature mark. They measure about 2.75 inches in diameter by 1.75 inches high. They weigh a combined 8.05 troy ounces and are in very good\/ excellent condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26474315845,"sku":"C96","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/C96_a_pi.jpg?v=1490214478"},{"product_id":"gorham-coin-silver-childs-cup-with-romantic-repousse-scenery-c-1857","title":"Gorham Coin Silver Child's Cup with Romantic Repoussé Scenery, c. 1857","description":"This outstanding and wonderful child's cup was made by Gorham in the mid 1850's. This is, simply put, as good as early Gorham gets. We've had one of these \"number 9\" (the model number stamped on the base) cups before about 10 years ago, with a California inscription, figural repoussé work and dated 1856. This example is in much better condition.\u003cbr\u003e\u003cbr\u003eThe repoussé work on this cup is of the very best caliber that Gorham produced in the 1850's (in fact Gorham didn't start making holloware until 1850). This cup is of tapered cylindrical form, with matching drawn applied bands at the lip and foot. Each side is repousséd with a romantically inspired exotic scene.\n\u003cp\u003eOne side is a church, somewhat Palladian, somewhat Chinese in appearance. The other side features a three towered building of Eastern inspiration. (\"In Zanadu did Kubla Kahn a stately pleasure dome decree...\" apologies to Coleridge.) The cast handle is in the form of a Romanesque window, with foliate decoration similar to that seen on the capitals of Romanesque columns. The cartouche that holds the inscription is formed from two trees, one a large towering deciduous tree, the other a classical column with a Willow tree wrapping around it.\u003c\/p\u003e\n\u003cp\u003eIt is inscribed:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: center;\"\u003eHenry Spingler Fonerden Davis\u003cbr\u003efrom his\u003cbr\u003eGreat Grand Mother\u003cbr\u003eEliza M. Fonerden\u003cbr\u003eNov. 11, 1857\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWith the exception of a small dent on the top of the handle (and consequently a small split in the seam), this mug is in extraordinary condition. The pattern is as 'crisp' as the day it was made. It weighs a hefty 8 troy ounces, measures 4 inches high and 4.75 inches wide across the handle.\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26509163845,"sku":"C951","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/c951_pi.jpg?v=1490295306"},{"product_id":"gorham-japanesque-antique-parcel-gilt-butter-pats-set-of-6-providence-ri-1880","title":"Gorham Japanesque Antique Parcel Gilt Butter Pats - set of 6, Providence, RI, 1880","description":"Stunningly beautiful, these aesthetic movement butter pats represent Gorham's leadership in American design. Each individually designed and crafted piece is an achievement in Japanese style art.\u003cbr\u003e\u003cbr\u003eNearly identical to the butter pats from one of Gorham's supreme achievements, the Furber Service (now at the Museum of Art, Rhode Island School of Design), these butter pats are 'the pinnacle of the form,' according to Charles Venable in \u003cem\u003eSilver in America\u003c\/em\u003e (p. 337, also see pp. 128-9), where he discusses the service. (Also see \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter for more information on the Furber service. In the original edition, color plate 1 is devoted to these butter pats.)\u003cbr\u003e\u003cbr\u003eEach butter pat is individually hand decorated with a combination of chasing, engraving and parcel gilding with two tones of gold on many. Some have partly matted or hammered finishes to contrast with the chased decoration. \u003cbr\u003e\u003cbr\u003eOn the back they are inscribed 'Holmes' in a foliate script and are marked lion-anchor-G\/ STERLING\/ 40\/ M (the date mark for 1880). They measure 3 inches square and are in exceptional condition. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: These came from one of the finest private collections of American aesthetic movement silver.\u003cbr\u003e\u003cbr\u003e(A similar set of six matched pats were part of the Wagstaff collection that sold at Christie's 20 Jan. 1989 for $9,900.00.)","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26549952261,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/d16_pi.jpg?v=1490362205"},{"product_id":"gorham-aesthetic-antique-sterling-silver-bonbon-basket-providence-ri-1874","title":"Gorham Aesthetic Antique Sterling Silver Bonbon Basket, Providence, RI, 1874","description":"This basket displays a rare design in a rare form. It is very interesting for a lot of reasons. The form itself is japonesque with the high-curved fixed handle with a basket-weave style band. The ornamentation to the outside is a lovely classical designed band of repeating cattail bushes, a pair of dolphins, a cherub mermaid, and a winged cherub riding 2 sea horses.\u003cbr\u003e\u003cbr\u003eThis piece was designed by Thomas Pairpoint who, according to Charles Carpenter in \u003cem\u003eGorham Silver\u003c\/em\u003e, created some of the 'top of the line' popular silver of the 1870's. The band is identical to one used on pieces of the famous Furber service which is now part of the Gorham collection at the Museum of Art at the Rhode Island School of Design in Providence (see \u003cem\u003eGorham Silver\u003c\/em\u003e, ill. 55, p. 56.). \u003cbr\u003e\u003cbr\u003eThe 4 classical cast and applied feet contribute nicely to the design with classical inverted acanthus decoration around the base of the band and athemion decoration where the handle meets the bowl. Examples of these same feet can be seen in other Gorham silver including a coffee service currently in the collection of the Art Institute of sterling basket Chicago (pictured in \u003cem\u003eGorham Silver\u003c\/em\u003e, ill. 69, p. 65) and on the plateau of the 'majestic three-foot-high candelabrum' of the Furber service (pictured in \u003cem\u003eGorham Silver\u003c\/em\u003e, ill 61, p. 60). \u003cbr\u003e\u003cbr\u003eMeasuring 6 inches wide by 6.5 inches high, this piece is parcel-gilded, measures 10.10 troy ounces and is in excellent condition (with light wear to gilt highlights). It is marked underneath with the Gorham trademark, 'STERLING', the 1874 date mark 'G' and the model number 715.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26550120453,"sku":"D17","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/D17_pi.jpg?v=1490362387"},{"product_id":"gorham-attributed-old-english-antique-coin-silver-server-c-1860s","title":"Gorham (attributed) 'Old English' Antique Coin Silver Server, Providence, RI, c. 1860s","description":"\u003cp\u003eThis is a beautiful server in its original tooled leather exterior with satin and felt-lined fitted box. \u003cbr\u003e\u003cbr\u003eMultiple castings joined together to form this wonderful slice. The hexagonal handle is joined to the blade with a round reinforcement decorated with delicate beading. The top part of the handle has a conical flaring device below a flat disc with a beaded edge. Reminiscent of the seal-top spoons, this unique design is beautifully engraved 'A.B.' on the top of the disc. \u003cbr\u003e\u003cbr\u003eThis lovely server is entirely unmarked. Items in this pattern are occasionally marked and more commonly unmarked due to changing relationships between makers and retailers. This piece also comes in the original fitted box stamped 'GORHAM Co \u0026amp; BROWN\/ SILVERSMITHS\/ PROVIDENCE R.I.' \u003cbr\u003e\u003cbr\u003eAccording to \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter, \"Gorham Co. \u0026amp; Brown, the predecessor to the present Tilden-Thurber, was founded in 1856 by John Gorham and Gorham Thurber with a man named Henry T. Brown. Brown ran the store, which was an outlet for Gorham \u0026amp; Company silver wares, plus other luxury items.\" (pp. 59-60). \u003cbr\u003e\u003cbr\u003eThis server measures 9.75 inches long and is gilded on the front of the blade. It weighs 3.10 troy ounces and is in excellent antique condition with a couple of scratches to the front of the blade and light wear to the gilding. In addition, the original box has wear to the outside, a stain to the interior satin, and the cover no longer is attached to the base.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e From the collection of Providence, RI, antiquarian Nino Scotti.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26642818821,"sku":"A2110","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a2110stand.jpg?v=1641404925"},{"product_id":"erik-magnussen-for-gorham-large-covered-centerpiece-compote-with-ebony-finial-providence-ri-1926","title":"Erik Magnussen for Gorham Large Covered Centerpiece Compote with Ebony Finial, Providence, RI, 1926","description":"\u003cp\u003eAn exceptional example of art deco design by one of the most famous American designers of the style, this is a rare item with its original removable cover. The use of plain surfaces and sections with scored lines give the piece a stylish design with subtle movement. The base and stem are made in four sections. The lowermost piece is a flaring base mounted to a small dome. This connects to the bulbous, tubular stem which is connected with a flaring ring attached to the bowl. Sixteen lines travel downward and shape themselves proportionately to the various planes of the surfaces. It is brilliantly designed and executed as is the rest of the piece. \u003cbr\u003e\u003cbr\u003eAs with the base, 16 scored lines on the bowl radiate upwards from the column. Engraved in one panel is a lovely 'W' monogram. \u003cbr\u003e\u003cbr\u003eThe cover is a stunning dome also made from multiple parts. The sixteen scored lines radiate outwards from the dome, Four 'c' scroll elements terminating in ball decoration attach to the surface of the dome and the lower section defining the finial. This small domed area, also scored with 16 lines, is hollow and houses a nut which the finial screws into. The carved ebony finial is shaped like the column with an undecorated area above the sixteen carved lines in the wood. It is drilled through the center and fitted with a long screw and secured to the silver top. \u003cbr\u003e\u003cbr\u003eRadiating scored lines, geometric shapes and naturalistic decoration became the hallmark of Magnussen designs at Gorham. After the Paris 'Art Deco' exhibition of 1925, Gorham sought to develop a line of silver in the 'moderne' style popular in Europe and they found an accomplished Danish silversmith Erik Magnussen to do so. He was given his own workforce and great leeway in designing objects.\u003cbr\u003e\u003cbr\u003eMagnussen found inspiration for this type of design in European objects made during the art deco period. A strikingly similar sauce tureen by the French firm Tétard Frères dating to 1925 is illustrated in \u003cem\u003eModern Art of Metalwork\u003c\/em\u003e by Dedo von Kerssenbrock-Krosigk, (Berlin: Brohan Museum, 1990, p. 441). Interestingly, in \u003cem\u003eModernism in American Silver\u003c\/em\u003e by Jewel Stern, the author notes that 'Several photographs of holloware by the French maker Tétard Frères that were found in a scrapbook in the Gorham archives at Brown University attest to the attention paid to French design by an important manufacturer.' (p. 56).\u003cbr\u003e\u003cbr\u003eThe model 'EHJ' sterling compote with ebony top was exhibited at the Metropolitan Museum of Art's 10th annual American Industrial Art Exhibition of 1926-27, with a retail value of $325.00. (1) Many thanks to private scholar W. Scott Braznell for this information.\u003cbr\u003e\u003cbr\u003eThe Metropolitan Museum of Art held annual exhibitions of American Industrial Art to promote items in their collection. Manufacturers would use items in the Met's collection as inspiration for the objects they displayed. For the first time in 1926, the Met allowed items not based on objects in their collection. This was due to the Paris 'Art Deco' exhibition and the Met's new desire to promote 'modern' design in America. Further, the 1926-27 exhibition was the only one that traveled. (2) Clearly, the Met felt it was an important exhibition.\u003cbr\u003e\u003cbr\u003eThe EHJ model bowl was included, along with 10 other Magnussen designed pieces, in Gorham's display at the Met that year. (3) Gorham chose this to be one of the very first modern designs it showed the world. Typically Gorham made two examples of the objects in this exhibition, displaying one of them at the Metropolitan Museum's American Industrial Art exhibition and another at their flagship store on Fifth Avenue. Although we cannot find production records for this piece, it is most likely that this covered compote, or its twin, was displayed at the Metropolitan Museum of Art and the other concurrently at the Gorham store. \u003cbr\u003e\u003cbr\u003eIt is very rare to find objects as well documented as this one. This piece was literally on the vanguard of modern design in the United States, promoted by its maker, prominent institutions and taste makers alike. The American public did not warm to modern design until years later and very few early modern items like this were ever made. They are uncommon today. It is serendipitous and extremely rare to have one reconnect with its roots, especially one as well documented and important as this one.\u003cbr\u003e\u003cbr\u003eThis rare sterling silver and ebony compote is marked underneath with Erik Magnussen's 'EM.' mark, Gorham's trademark and 'GORHAM\/ STERLING\/EHJ'. It retains its original retail label from 'BROCK AND COMPANY JEWELERS\/ LOS ANGELES'. It measures 9.25 inches in circumference by 11.75 inches to the top of the finial. It weighs 44.34 troy ounces, is artistically monogrammed with a 'W' on the base and is in excellent condition. \u003cbr\u003e\u003cbr\u003eAn archival photograph of this centerpiece is pictured in \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter, Jr, p. 211.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrivate conversation and correspondence with W. Scott Braznell, May 2006.\u003c\/li\u003e\n\u003cli\u003eIbid.\u003c\/li\u003e\n\u003cli\u003eIbid.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26645987717,"sku":"D413","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/d431_pi.jpg?v=1490712314"},{"product_id":"gorham-medallion-pattern-antique-sterling-silver-asparagus-tongs-providence-c-1870","title":"Gorham 'Medallion' Pattern Antique Sterling Silver Asparagus Tongs, Providence, c. 1870","description":"These rare tongs with a claw end are exquisite. Made from multiple parts and assembled together, they incorporate various designs and construction techniques. \u003cbr\u003e\u003cbr\u003eThe long shaped handles are made from a single piece of silver bent at the top to create a smooth elbow. On each side of the elbow are two discs with a spring support between them that keeps the serving ends expanded. A finial at the top with a beaded edge secures the medallions and spring mechanism.\u003cbr\u003e\u003cbr\u003eEach of these discs are stunning classical portrait medallions against a stippled background with one side depicting a woman (Ceres, symbolized by wheat) and the other a man wearing a helmet with 10 stars.\u003cbr\u003e\u003cbr\u003eIn order to stabilize and guide the long handles, a circular bar travels through holes in the handles and the ends are capped with small medallion discs depicting classical male busts.\u003cbr\u003e\u003cbr\u003eThe flat bottom blade is rectangular in shape and beautifully pierced and engraved with classical foliage decoration. The center is pierced and engraved with a lovely floral wreath.\u003cbr\u003e\u003cbr\u003eThe upper blade is a dramatic claw with long talons. Although originally made as asparagus tongs, this rare server can be used for many foods, including fried chicken, on many occasions.\u003cbr\u003e\u003cbr\u003eThese stunning tongs are marked with Gorham's trademark along with 'Sterling' and the great Philadelphia retailer 'J.E. CALDWELL \u0026amp; Co'. They measure 13 inches long, have never been monogrammed and are in excellent antique condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26648668421,"sku":"D582","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/d582_pi.jpg?v=1490544722"},{"product_id":"gorham-extremely-fine-sterling-and-cut-glass-special-order-centerpiece-retailed-by-grogan-co-pittsburgh-c-1908","title":"Gorham Extremely Fine Sterling and Cut Glass Special Order Centerpiece, retailed by Grogan Co., Pittsburgh, c. 1908","description":"This exceptional example of the silversmith and glass cutters art was special ordered by Grogan Company, the leading jeweler in Pittsburgh at the turn of the century. The sterling silver base is decorated with a cast and applied scrolling border, flowing repousséd roses, buds and branches and a hand pierced gallery which holds the glass bowl. (Interestingly, the piercing resembles a 'rose' window found in gothic cathedrals, a visual pun played by a sophisticated designer. Please see below.) \u003cbr\u003e\u003cbr\u003eThe stunning glass insert, with everted rim, features a rock-crystal engraved design of large and bold roses on flowing stems and foliage. This clear cut pattern is accentuated by frosty copper wheel engraved butterflies landing on the roses. The glass is most likely by Hawkes or Sinclair.\u003cbr\u003e\u003cbr\u003eBecause this is a special order piece, we can document much of its making at the Gorham factory. The piece was chased (repousséd) by Otto Colmentz, a Prussian who emigrated through Australia. The factory price of the silver to Grogan was $72.00, translating into a retail price - for the silver alone - of $145.00. (Please see Sam Hough's report from the Gorham archives for details.) Adjusted for inflation, this represents approximately $3,600 - $4,300 in today's money. We do not know the additional cost of the glass, but we can say this was a very expensive centerpiece when it was made nearly 100 years ago. \u003cbr\u003e\u003cbr\u003eThe centerpiece measures 13 7\/8 inches in diameter and approximately 4 1\/2 inches high. It has never been monogrammed and is in excellent condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26652492997,"sku":"E042","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/e042_pi.jpg?v=1490550347"},{"product_id":"gorham-sterling-silver-aesthetic-movement-naturalistic-serving-fork-and-spoon-set-1884","title":"Gorham Sterling Silver Aesthetic Movement Naturalistic Serving Fork and Spoon Set, 1884","description":"One of the greatest and most unusual designs executed in a serving fork and spoon are exhibited in these stunning servers. The handles, designed as bamboo shafts with wonderful details, curve up along the edges of the bowls. An intertwined 'SM' monogram is on the top front handle of the spoon and on the top back of the fork handle. Both bowls are designed as oyster shells with irregular surfaces and wavy edges. They have a matte finish and are gilded on both sides. Tightly wound wire (along with original silver solder) attach the bowls to the handles. \u003cbr\u003e\u003cbr\u003eAn almost identical pair of servers were part of the Sam Wagstaff Collection (Christie's, January 20, 1989, lot 188). \u003cbr\u003e\u003cbr\u003eThe backs of the bowls are stamped with Gorham's trademark along with 'STERLING', the model '330' and with the 1884 date mark 'Q'. The fork and spoon weigh 4.15 and 3.45 troy ounces respectively. They measure 9.75 inches long and are in very good antique condition with light wear to the original gilding.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26652645893,"sku":"E044","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/E044_pi.jpg?v=1490550533"},{"product_id":"gorham-antique-sterling-silver-massive-punchbowl-providence-ri-1886","title":"Gorham Antique Sterling Silver Massive Punch Bowl, Providence, RI, 1886","description":"\u003cp\u003eThis stunning punch bowl is exceptionally heavy and of beautiful design and quality. A cascading rim is pierced in various areas and decorated with applied foliage. It is further hand-chased along the interior with sprays of flowers and leaves. The interior retains a lot of its original gilding. The oval shape is executed with eight bulbous panels. Repousséd scenes of various flowers decorate the body and are enhanced against a stippled background.\u003cbr\u003e\u003cbr\u003eThe areas on both ends underneath the handles are undecorated and reflect their outward surroundings beautifully. There is a cartouche on both sides. One is engraved in a lovely script 'CFB' and the other is 'GEF'.\u003cbr\u003e\u003cbr\u003eThe base is shaped to conform with the upper body and has a thick, applied band around its lower edge.\u003c\/p\u003e\n\u003cp\u003eGorham records indicate that chasing, or decorating, this bowl took 169 hours.  The 'making', or hand-raising and assembling, took 182 hours - showing just how difficult it is to hand raise an oval bowl.  The net factory price was set at $420.00.\u003cbr\u003e\u003cbr\u003eThis magnificent punch bowl is marked underneath with Gorham's trademark and 'STERLING\/ 2400' and the date mark for 1886. It measures 16.5 inches long across the handles by 13.75 inches wide by 9 inches high, weighs 85.55 troy ounces and is in excellent antique condition with scratching to the interior from normal use.\u003cbr\u003e\u003cbr\u003eAccording to an original picture from the Gorham Archives at the John Hay Library, this punch bowl has a capacity of 14 pints. The 240 model was exhibited at the Paris Exposition of 1889 with a retail cost of $425.00 - an enormous amount of money in 1889.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26757922309,"sku":"A752","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/a752_pi_884669f7-aaf8-440b-85d1-fd80597e3dbb.jpg?v=1496415611"},{"product_id":"kennard-jenks-antique-sterling-silver-trompe-loeil-dish-boston-1881","title":"Gorham Antique Sterling Silver Trompe l'oeil Tray, Providence, RI, 1881","description":"\u003cp\u003eThis stunning dish or tray is designed as a folded napkin on a basket-weave plate. It is an amazing work of art executed in sterling. The damask pattern napkin with its uneven surface appears to be resting naturally on the plate with the edges draping over the sides. Hand-chased designs in the napkin are remarkable. Four applied balls underneath raise the plate from the table.\u003c\/p\u003e\n\u003cp\u003eIn 1879 Gotham hired the important Boston silver designer Louis E. Jenks of Kennard \u0026amp; Jenks who specialized in this Russian inspired trompe l'oeil style silver (along with other wonderful aesthetic movement styles). In 1880, Gorham bought out the firm.  \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eThe reverse is engraved:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: center;\"\u003eTo Virginia\u003cbr\u003eFirst Anniversary\u003cbr\u003efrom\u003cbr\u003eA.K.C.\u003cbr\u003eMay 27, 1881\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"text-align: left;\"\u003eThis rare dish is marked 'Gorham \u0026amp; CO\/ 'STERLING\/ ZD14'. The underside of the edge of the dish is also stamped 'STERLING\/ 394'. It measures 10.25 inches wide, weighs 13 15 troy ounces and is in excellent antique condition.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26759561669,"sku":"C725","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/c725_pi.jpg?v=1490731743"},{"product_id":"gorham-antique-sterling-silver-oak-leaf-tray-providence-ri-1886","title":"Gorham Antique Sterling Silver Oak Leaf Tray, Providence, RI, 1886","description":"This stunning and rare tray was made by Gorham in 1886. The raised edge features scrolling foliate and rocaille elements bordering a hammered and stippled background. This background contributes to the 3-dimensional effect of the leaves. With their stems joined off-center, the oak leaves spread towards the edge of the tray. The overlapping leaves are strongly three-dimensional in effect.\u003cbr\u003e\u003cbr\u003eOriginally, this tray was meant to hold a similarly decorated after-dinner coffee pot with the same model number. This \"black\" coffee pot is pictured in the Gorham CD collection. An example of a very similar coffee pot and tray now in the collection of the Minneapolis Institute of Arts is illustrated in \u003cem\u003eSilver In America\u003c\/em\u003e by Charles Venable, fig 6.10, p. 133.\u003cbr\u003e\u003cbr\u003eMarked on the back with Gorham's trademark, 'STERLING', the model number '2995' and with the date mark of 1886, this beautiful piece measures 8.5 inches square, weighs 12.85 troy ounces and is in very good condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26849755973,"sku":"E333","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/E333_pi.jpg?v=1491012116"},{"product_id":"gorham-rare-original-set-of-12-antique-sterling-silver-five-oclock-tea-spoons-providence-ri-c-1888","title":"Gorham Rare Original Set of 12 Antique Sterling Silver Five O'clock Tea Spoons, Providence, RI, c. 1888","description":"\u003cp\u003eThis set is pictured in a Gorham catalog from 1888. It is incredibly rare to see the full set of twelve together. The various spoons run the spectrum of simple to incredibly intricate design. \u003cbr\u003e\u003cbr\u003eThe first picture of the single spoon above is stunning with a fish-shaped bowl. It is applied to a twig handle with applied strapping and a shell at the top attached with seaweed. The second spoon has a fluted bowl and a flat handle with a wavy edge. Silver wire is wrapped around the handle and has an applied fish tangled in its weave.\u003cbr\u003e\u003cbr\u003eThree applied fish caught with a fishing line are attached at the top of this handle along with wire wrapping around the length of the handle. An attached bowl is formed as a beautiful seashell.\u003cbr\u003eOne example with the fish-shaped bowl has an applied crab on the silver-strapped handle. \u003cbr\u003e\u003cbr\u003eNot all of the spoons in the set are nautical in inspiration. Another example has a twist handle with an applied wire around a spool.\u003cbr\u003e\u003cbr\u003eAnother interesting example is the spoon with the handle in the shape of a fish which is detailed on both the front and back. The split fin holds the scalloped bowl.\u003cbr\u003e\u003cbr\u003eThe various spoons exhibits imaginative designs and quality craftsmanship. The varying motifs convey great whimsy.\u003cbr\u003e\u003cbr\u003eAll of the spoons are marked with Gorham's trademark and 'STERLING' and are also marked '1' thru '12'. They weigh a total 5.20 troy ounces, measure 5 inches long and are in excellent condition.\u003c\/p\u003e\n\u003cp\u003eNot all spoons are individually photographed.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26850048069,"sku":"E430","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/e430_pi.jpg?v=1490879449"},{"product_id":"gorham-martele-9584-candle-chamber-stick-providence-ri-1905","title":"Gorham Martelé .9584 Candle\/ Chamber Stick, Providence, RI, 1905","description":"\u003cp\u003eThis stunning candle or chamber stick is a rare piece of Martelé silver by the Gorham Manufacturing Company of Providence, RI. The sinuous shaped perimeter around the bottom has folded over edges, a ring handle and a section at the front which folds underneath to act as a foot. Wonderful chasing of ivy leaves, vines and a single flower in bloom decorate the body. The hammered background shimmers (especially with a lovely candle flame). The removable bobeche with its undulating rim is also chased with vines and leaves. It is monogrammed underneath 'H McC' in a lovely script style.\u003cbr\u003e\u003cbr\u003eWe have never seen this form except for the few examples pictured in books. Gorham's Martelé line of silver was the finest expression of art nouveau in American silver. Each piece was individually designed and crafted by hand; no machine was used in any part of the creation and each piece is unique. During the period that Gorham produced Martelé, only 42 chamber sticks(1) were made and each was different. Expertly executed by hand, the central stem is raised and forms the sconce at the top.\u003cbr\u003e\u003cbr\u003eAccording to Gorham's costing records, this chamber stick took 20 hours to form and was raised by Frederick Richard Avery(attr.).(2) The floral decoration took 27 hours and was chased by Paul L. Hansen.(3)\u003cbr\u003e\u003cbr\u003eThis exceptional example of Martelé is marked underneath with Gorham's trademark, '.9584\/ I\/BS\/ MARTELE' with the winged eagle used on Martelé. The bobeche is marked '.9584\/ I\/BS'. It measures 5.5 inches long by 4.25 inches high, weighs 9.70 troy ounces and is in excellent antique condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLarry J. Pristo, \u003cem\u003eMartelé: Gorham's Art Nouveau Silver\u003c\/em\u003e, (2002; Phoenix: Phoenix Publishing Group), p. 141.\u003c\/li\u003e\n\u003cli\u003eSee Pristo, p. 358.\u003c\/li\u003e\n\u003cli\u003eSee Pristo, p. 358\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26851897669,"sku":"E614","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/E614_large_pi.jpg?v=1490881373"},{"product_id":"gorham-antique-coin-silver-covered-sugar-bowl-providence-ri-1859-of-rhode-island-historical-interest","title":"Gorham Antique Coin Silver Covered Sugar Bowl, Providence, RI, 1859 of Rhode Island historical interest","description":"\u003cp\u003eThis large and unusual sugar bowl is quite stunning and exhibits great quality design. The swing handle is decorated with bold, ball decoration which is also used around the top fluted edge of the body. One also sees this same decoration on the famous Mary Todd Lincoln 'Chicken-leg' tea set. \u003cbr\u003e\u003cbr\u003eThe removable cover has a large ball finial above a lobed dome above the decorated area which incorporates an engine-turned surface and four reserves. Two of the reserves are blank while the other two are engraved with a man fishing and a scene of a man with a fishing pole watching two sailboats. The fineness of the engraving is lovely.\u003cbr\u003e\u003cbr\u003eThe large egg-shaped body is covered in stunning engine-turned engraving which produces very intricate and fine decoration. There are beautifully hand-engraved shields on each of the sides. One is 'C.R.G. to' and the other is 'S.A.B'.\u003cbr\u003e\u003cbr\u003eThe tall feet are ornamented with leaves where they attach to the body and terminate with scroll feet.\u003cbr\u003e\u003cbr\u003eThe underside is engraved \u003cem\u003eSophia August Brown from Charlotte R. Goddard June 23, 1859.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThis beautiful sugar bowl was a wedding gift from Charlotte Goddard to Sophia Augusta (née Browne) Brown. Rhode Island names do not get much more historic than this.\u003cbr\u003e\u003cbr\u003eCharlotte Rhoda Ives married William Giles Goddard who built the famous William Goddard house in Providence, RI, now the Brown University Alumni Center.\u003cbr\u003e\u003cbr\u003eOn June 23, 1859, Sophia Augusta Browne married John Carter Brown, son of merchant and Brown University founder Nicholas Brown. John Brown was a parner in the important mercantile firm of Brown \u0026amp; Ives'.1 In 1885, their only child, daughter Sophia Augusta Brown, married William Watts Sherman and lived in the important William Watts Sherman House.\u003cbr\u003e\u003cbr\u003eThis rare coin silver sugar is marked underneath with Gorham's trademark, '50' and 'COIN' It is also engraved 'F17'. The sugar bowl measures 7 inches high (8 inches high to the top of the handle). It weighs 14.40 troy ounces and is in very good\/ excellent antique condition, retaining its original interior gilding.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnote:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cem\u003eProceedings of the Rhode Island Historical Society\u003c\/em\u003e, Standard Printing Company, RI, 1893.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26852868549,"sku":"E652","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/e652_pi.jpg?v=1490882655"},{"product_id":"gorham-mythologique-antique-sterling-silver-flatware-service-providence-ri-c-1900","title":"Gorham 'Mythologique' Antique Sterling Silver Flatware Service, Providence, RI, c. 1900","description":"\u003cp\u003e'Mythologique' is one of the most intriguing flatware patterns ever made. It is incredibly elaborate with exceptional details on both the fronts and backs of the handles. Each of the pieces in this line depicts an interpretive scene from classical mythology. This service has hardly been used and the extremely detailed pattern retains a stunning amount of its original features.  It was sold by the important firm of J. E. Caldwell in Philadelphia, PA.\u003cbr\u003e\u003cbr\u003eThis exceedingly rare service consists of 12 large table spoons, 12 dessert spoons, 12 dinner forks, 12 dessert or luncheon forks and 12 tea spoons. They have a lovely script monogram on the back 'JMS'.\u003cbr\u003e\u003cbr\u003eThe mythological scenes on the pieces are:\u003cbr\u003e\u003cbr\u003eFor the table spoons there is a scene of Vulcan presenting thunderbolts to Jupiter. Vulcan was the son of Jupiter and Juno; all three of whom are depicted on the spoons. 'Vulcan is the patron of all workers in metal, and presides over fire. 'He made... the thunderbolts for Jupiter, and arms for the gods and heroes'.(1) Here Vulcan is seen holding his forging hammer by his side while grasping lightning bolts holding them up for Jupiter and Juno. The tips of the lightning bolts are stars.\u003cbr\u003e\u003cbr\u003eThe dessert spoons depict Nessus carrying off Dejanira. Nessus was the Centaur who tried to steal Hurcules' wife, Dejanira, when they needed help crossing a river.(2) The scene on these spoons have the centaur carrying away Dejanira.\u003cbr\u003e\u003cbr\u003eThe dinner forks depict Charon ferrying souls to Hades. This stunning scene has a seated Charon holding a paddle and at his feet is Cerberus.(3) There are two figures in the background along for the ride with the male flanked with a winged figure and the female a bird.\u003cbr\u003e\u003cbr\u003eThe dessert forks depict the story of Chiron and Achilles. Chiron was a wise Centaur and teacher of the arts who taught mankind 'the use of plants and medicinal herbs, and he instructed, in all the polite arts, the greatest heroes of his age, such as Achilles'.(4) After he was fatally wounded, Jupiter placed Chiron 'among the constellations, under the name of Sagittarius'.(5)\u003cbr\u003e\u003cbr\u003eThe tea spoons are the story of Penelope recognizing Ulysses. Ulysses left for battle in the Trojan War shortly after his marriage to Penelope. Years passed and upon his return, Minerva changes him into an unrecognizable old beggar. Penelope, having been relentlessly hounded by suitors which she rejected, finally 'consents to submit the question of her choice to a trial of their skill. Twelve rings were arranged in a line, and he whose arrow was sent through the whole twelve, was to have the queen for his prize'. Ulysses, of course, completes the task and then shoots his remaining arrows at the other suitors. This scene on the spoons depicts Ulysses as an old beggar seated in front of a consoling Penelope.(6)\u003cbr\u003e\u003cbr\u003eF. Antoine Heller designed this spectacular flatware. He worked as a die chaser - he hand finished the molds used in die stamping silver. Due to the technical difficulty and great detail of the work - and the great expense of making dies for stamping - this was traditionally the highest paying craft position in a silver (or metal) shop. Heller went on to design silver at Gorham and left to work for Tiffany, creating the Olympian pattern. After that he studied at L'Ecole des Beaux Arts in Paris, where Gorham lured him back to work in Providence, where he created some of the most exquisitely die stamped patterns ever made including: Old Masters, Versailles, Cluny, St. Cloud and Mythologique. (See \u003cem\u003eGorham Silver\u003c\/em\u003e by Charles Carpenter and the Gorham Flatware 1888 Catalog Reprint.)\u003cbr\u003e\u003cbr\u003eThis exceptional service is marked with Gorham's trademark and 'STERLING'. The total weight is an impressive 131.50 troy ounces. As noted, the service is in extraordinary condition and comes in its original oak flatware case lined with green felt and an applied metal plaque from the famous retailer 'JE Caldwell\/ \u0026amp; Co\/ Philadelphia'. The exterior of the box shows minor scratching, some staining and the remnants of an old paper label.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGorham Manufacturing Company, \u003cem\u003eMythologique - Artistic Spoon and Fork Patterns, In a Series of Twenty-four Designs of Mythological Subjects\u003c\/em\u003e, (New York: Gorham Manufacturing Co. Silversmiths, 1896), p. 29.\u003c\/li\u003e\n\u003cli\u003eIbid., p. 21.\u003c\/li\u003e\n\u003cli\u003eIbid., p. 22.\u003c\/li\u003e\n\u003cli\u003eIbid., p. 25.\u003c\/li\u003e\n\u003cli\u003eIbid., p. 25.\u003c\/li\u003e\n\u003cli\u003eIbid., p. 43.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26865867333,"sku":"E6104","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/e6104_pi.jpg?v=1490897919"},{"product_id":"gorham-antique-sterling-silver-aesthetic-movement-prototype-vegetable-dish-providence-ri-c-1888","title":"Gorham Antique Sterling Silver Aesthetic Movement Prototype Vegetable Dish, Providence, RI, c. 1888","description":"\u003cp\u003eThis wonderful server was a prototype for a rare line of Gorham holloware. Pictured in \u003cem\u003eGorham Silver\u003c\/em\u003e (fig. 126) by Charles Carpenter is a Gorham Archive photograph of an oyster tureen in this same pattern. Carpenter describes the design as 'exotic', having the 'energy and wildness of High Victorian, and the undulating forms have in them the seeds of Art Nouveau'. Incorporating many exotic - especially Persian - designs, the floral repoussé work is reminiscent of Gorham's \u003cem\u003eCluny\u003c\/em\u003e pattern.\u003cbr\u003e\u003cbr\u003eAccording to a report by Sam Hough derived from the Gorham Archives, this was the prototype for a vegetable serving dish which was 'part of a set of hand crafted holloware, made with no machine processes at all'. At the time, this line was extremely expensive to make and purchase. \u003cbr\u003e\u003cbr\u003eThis wonderful piece is marked underneath with Gorham's trademark, the star year mark of 1888, 'STERLING', the prototype number '510' and the line number '437'. It measures 13.75 inches long by 11.75 inches deep by 6 inches high, weighs 63.65 troy ounces and is in very good condition with light wear to the highlights.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26939058245,"sku":"F39","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/f39_col_pi.jpg?v=1490967217"},{"product_id":"gorham-martele-9584-silver-centerpiece-bowl-or-fern-dish-providence-ri-1912","title":"Gorham Martelé .9584 Silver Centerpiece Bowl or 'Fern Dish', Providence, RI, 1912","description":"\u003cp\u003eOf circular form with an undulating everted rim, this wonderful Martelé centerpiece features striking naturalistic organic floral and foliate chasing of poppies. Gorham's Martelé line of silver was the finest expression of art nouveau in American silver. Each piece was individually designed and crafted by hand; no machine was used in any part of the creation and each piece is unique. During the period that Gorham produced Martelé, only 24 'fern dishes' were made(1) and each was different.\u003cbr\u003e\u003cbr\u003eAccording to Gorham's costing records, this bowl took 36 hours to form and was raised by Alexander MacBeth.(2) The floral decoration took 90 hours and was chased by David Wilmot(3)' one of Gorham's very finest chasers. (In fact, only one chaser was better paid than Wilmot.(4) The fact that Gorham used Wilmot to chase this bowl indicates the importance Gorham placed on the piece. \u003cbr\u003e\u003cbr\u003eCommonly referred to as centerpiece bowls today, these were called 'fern dishes' at the turn of the century. Clearly they were used with ferns, a popular plant at the time. These bowls could be ordered from Gorham with and without central silver plated mesh liners for floral arranging and the Gorham records indicate this bowl originally had a liner.(5) We are unaware of any Martelé fern bowl that retains its original wire mesh liner today. (In fact this is true for most fern dishes, Oasis has obviated the need for wire mesh.)\u003cbr\u003e\u003cbr\u003eThis wonderful bowl measures 15.375 inches in diameter, weighs a hefty 63 troy ounces and has never been monogrammed. It is marked underneath with Gorham's Martelé eagle trademark, '.9584' (the silver standard which is higher than sterling), 'Z\/PZ' (Gorham's unique object code). It is in excellent, crisp condition (a lot of Martelé is quite worn), possibly retaining some of the original factory oxidation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnotes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLarry J. Pristo, \u003cem\u003eMartelé: Gorham's Art Nouveau Silver\u003c\/em\u003e, (2002; Phoenix: Phoenix Publishing Group), p. 141.\u003c\/li\u003e\n\u003cli\u003eSee Pristo, p. 451.\u003c\/li\u003e\n\u003cli\u003eSee Pristo, p. 451\u003c\/li\u003e\n\u003cli\u003eSamuel J. Hough 'The House of Lords: The Chasers of Martelé Silver' in John Webster Keefe and Samuel Hough, \u003cem\u003eMagnificent Marvelous Martelé American Art Nouveau Silver: The Jolie and Robert Shelton Collection\u003c\/em\u003e, (2001; New Orleans: New Orleans Museum of Art), p. 22.\u003c\/li\u003e\n\u003cli\u003eSee Pristo, p. 451.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26939841029,"sku":"F52","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F52_pi.jpg?v=1490967834"},{"product_id":"gorham-martele-silver-sauce-boat-and-tray-with-ladle-providence-ri-1905","title":"Gorham Martelé Silver Sauce Boat and Tray with Ladle, Providence, RI, 1905","description":"\u003cp\u003eThe Martelé line of silver by Gorham was the finest art nouveau silver made in America. Individually designed and executed, each piece is a unique work of art. Every piece was hand made - no machines were used in Martelé production. It is even made of higher grade silver than sterling (.925): Britannia silver is .9584 silver and more expensive than sterling.\u003cbr\u003e\u003cbr\u003eThe hand-raised body of the sauce boat with hammered surfaces accentuate the scenes of exotic aquatic foliage flowing freely around the body and foot of the boat and border of the tray. Wavy edges to the pieces heighten the sense of fluid motion. The ladle is chased with similar motifs. All three pieces are beautifully engraved with an 'MG' monogram.\u003cbr\u003e\u003cbr\u003eThe sauce boat and stand were chased by George W. Sauthof. Of German birth, Sauthof worked at Tiffany \u0026amp; Co. and then went to Gorham in 1884 where he remained until his retirement in 1927. He was one of Gorham's most accomplished artisans working on some of the finest pieces Gorham produced - including many exhibition pieces. \u003cbr\u003e\u003cbr\u003eHis skill earned him the second highest of the chasers' salaries, $32.00 per week. His obituary reads: 'His exceptional ability as a silver chaser was soon recognized and he was entrusted to execute some of the finest master-pieces in silver repoussé. He was also a master in steel work, cutting dies and rolls for many of the beautiful borders used at the company today'.(1)\u003cbr\u003e\u003cbr\u003eAccording to a report by Sam Hough derived from costing records at the Gorham archives, the ladle was made in November 1905 and chased by Karl Wendt, one of the Martelé chasers who worked for Gorham from 1892-1935. 'Entirely hand crafted, this piece was intended to accompany a Martelé Gravy Boat. Had the ladle been made of .950 grade silver (that used in Martelé), it would have been too soft to serve its function, thus the use of sterling'.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Mary Gayley married Count Giulio Senni of Rome November 16, 1907. By descent through the family. \u003cbr\u003e\u003cbr\u003eThis stunning set is marked underneath the boat and tray with Gorham's trademark along with the Martelé mark and the silver standard '.9584' and the 'I\/AH' and 'I\/AI' factory codes. The ladle is stamped with Gorham's trademark and 'STERLING\/ A5408'. \u003cbr\u003e\u003cbr\u003eThe tray measures 8.75 inches long while the sauce boat measures 5 inches high by 8.25 across handle and spout. The combined weight of the three pieces is 28.15 troy ounces and the set is in excellent antique condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEndnote:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSamuel J. Hough, 'The House of Lords: The Chasers of Martelé Silver' in John Webster Keefe and Samuel Hough, \u003cem\u003eMagnificent Marvelous Martelé American Art Nouveau Silver: The Jolie and Robert Shelton Collection\u003c\/em\u003e, (2001; New Orleans: New Orleans Museum of Art), p. 23-24.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26941550469,"sku":"F97","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F97_w_ladle_pi.jpg?v=1490969187"},{"product_id":"gorham-the-hugh-and-julia-murphy-grant-kings-iii-pattern-sterling-flatware-service-for-18-c-1895","title":"Gorham - The Hugh and Julia Murphy Grant 'Kings III' Pattern Sterling Flatware service for 18, c. 1895","description":"A stunning pattern, 'Kings III' features bold shells and classical ornament to both sides of the handles. \u003cbr\u003e\u003cbr\u003eA lovely script 'JMM' (Julia Mackey Murphy) monogram is engraved on the front of each piece.\u003cbr\u003e\u003cbr\u003eThis extensive service of 319 pieces comes in its original blue satin lined fitted oak box with brass mounts and includes:\u003cbr\u003e\u003cbr\u003e18 Dinner Forks\u003cbr\u003e18 Dinner Knives\u003cbr\u003e18 Luncheon Forks\u003cbr\u003e18 Luncheon Knives\u003cbr\u003e18 Table Spoons\u003cbr\u003e18 Dessert Forks\u003cbr\u003e18 Dessert Spoons\u003cbr\u003e18 Flat-handled Tea\/\u003cbr\u003eBreakfast or Dessert Knives\u003cbr\u003e36 Tea Spoons\u003cbr\u003e(18 in separate felt bag)\u003cbr\u003e18 Butter Knives or Spreaders\u003cbr\u003e18 Fish Forks\u003cbr\u003e18 Fish Knives\u003cbr\u003e18 Oyster or Cocktail Forks\u003cbr\u003e18 Ice Cream Spoons\u003cbr\u003e18 Demitasse Spoons\u003cbr\u003e\u003cbr\u003eServers:\u003cbr\u003e\u003cbr\u003eIce Tongs\u003cbr\u003eAsparagus Serving Fork\u003cbr\u003ePie Knife\u003cbr\u003eCake Knife\u003cbr\u003eCheese Scoop\u003cbr\u003eStuffing\/Basting Spoon\u003cbr\u003eFish Slice\u003cbr\u003eFish Serving Fork\u003cbr\u003eVegetable Spoon\u003cbr\u003eVegetable Fork\u003cbr\u003eSoup Ladle\u003cbr\u003e2 Gravy Ladles\u003cbr\u003ePierced Small Ladle\u003cbr\u003eCrumb Knife\u003cbr\u003e2 Serving Spoons\u003cbr\u003eIce Cream Slice\u003cbr\u003ePreserve Spoon\u003cbr\u003eSugar Tongs\u003cbr\u003eMaster Butter Knife\u003cbr\u003e4 Salt Spoons\u003cbr\u003eMustard Ladle\u003cbr\u003eMeat Carving Knife\u003cbr\u003eMeat Carving Fork\u003cbr\u003eGame Carving Knife\u003cbr\u003eGame Carving Fork\u003cbr\u003eSharpening Steel\u003cbr\u003e\u003cbr\u003eMany of these pieces have wonderfully parcel-gilt functional ends.\u003cbr\u003e\u003cbr\u003eThis beautiful service weighs a total 533.85 troy ounces of weighable silver (hollow handles not included), a weight comparable to Tiffany's English Kings pattern.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHugh J. Grant, Sr. (1858-1910) was the first Irish-American mayor of New York City, serving from 1889-1892. At the age of 31, he was also the youngest mayor in that city's history. Grant married Julia M. Murphy (1872-1944), the daughter of New York Senator Edward Murphy, Jr. (1836-1911), in 1895. This service was almost certainly an expensive wedding present, likely from her parents.\u003cbr\u003e\u003cbr\u003eA successful real estate investor, Grant lived with his family in their 10,960 square foot mansion at 20 East 72nd Street that was designed by the architectural firm of Rose and Stone. They purchased many of the finest decorative arts then available - including the exceptional Gorham Martelé ewer and basin now in the collection of the Metropolitan Museum of Art.\u003cbr\u003e\u003cbr\u003eThe Grants were important philanthropists and major donors to the Catholic Church, providing the funds to establish Regis High School (a Jesuit school for the poor and gifted), in New York. The Grants fully funded the school until the 1960's. Hugh J. Grant, Jr. gifted their 72nd Street mansion to the Archdiocese of New York. It is currently the residence of the Vatican's ambassador to the United Nations and serves as the Pope's residence when visiting New York City.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis stunning service is in outstanding condition. Two luncheon forks, two teaspoons and three oyster forks have been matched; the roast holder is missing. The original satin lined box is in good\/ very good antique condition, missing one bail from a handle and having scratches from age and use","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26941867653,"sku":"F98","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F98_setting_pi.jpg?v=1491011472"},{"product_id":"gorham-antique-sterling-silver-and-other-metals-bowl-providence-1881","title":"Gorham Antique Sterling Silver and Other Metals Bowl, Providence, RI, 1881","description":"\u003cp\u003eThis lovely small bowl was originally called an olive dish but may have been used as a child's bowl or candy dish. The circular foot is designed with two horizontal lobes and the top has two bands of applied wire. The bulbous shape of the body has a smooth, unhammered matte finish. \u003cbr\u003e\u003cbr\u003eBeautiful appliques decorate the bowl. One scene is of a bird in flight honing in on a butterfly.\u003cbr\u003e\u003cbr\u003eA stunning scene executed in copper is designed with a Japanese figure with umbrella sitting on the ground watching a butterfly. Behind this figure is an elaborate and exotic tree peony.\u003cbr\u003e\u003cbr\u003eThis wonderful example of mixed metal is marked underneath with Gorham's trademark and 'STERLING \u0026amp; OTHER METALS\/ 365\/ N'. It measures 5.5 inches wide, weighs 5.55 troy ounces and is in very good antique condition with minor surface imperfections.\u003c\/p\u003e","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26953070085,"sku":"F350","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/f350_pi.jpg?v=1490978281"},{"product_id":"gorham-versailles-antique-sterling-silver-fish-serving-set-providence-ri-early-20th-century","title":"Gorham 'Versailles' Antique Sterling Silver Fish Serving Set, Providence, RI, early 20th century","description":"This wonderful fish serving slice and fork serving set is in the boldly cast 'Versailles' pattern designed by Antoine Heller and patented in 1888. Inspired by the fountains at Versailles, this lovely academic design incorporates a female figure at the top holding a wreath.\u003cbr\u003e\u003cbr\u003eThis lovely serving set is stamped with Gorham's trademark and 'STERLING'. The fish slice and fork measure 11.5 and 8.75 inches long respectively. They weigh 8.5 troy ounces total, have never been monogrammed and are in very good crisp condition","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26954022021,"sku":"F424","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F424_pi.jpg?v=1490979076"},{"product_id":"gorham-aesthetic-movement-sterling-and-copper-mixed-metal-dish-in-the-japanese-taste-c-1880","title":"Gorham Aesthetic Movement Sterling and Copper Mixed-Metal Dish in the Japanese Taste, c. 1880","description":"This lovely dish is designed as a Japanese pond with shimmering hammer marks depicting water with two applied silver fish. Exotic plants, a water lily with two silver leaves and wild grass with a long sterling stem and leaves, decorate the dish. The plain, circular foot is decorated with four incised lines. \u003cbr\u003e\u003cbr\u003eThis stunning mixed metal dish is marked on the inside rim of the foot with Gorham's trademark and 'STERLING \u0026amp; OTHER METALS\/ M\/ 390'. The 'M' is the 1880 date mark. Measuring 1.5 inches high by 5.25 inches round and weighing 4.60 troy ounces, this rare piece is in excellent condition.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26956442885,"sku":"F528","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F528_pi.jpg?v=1490981462"},{"product_id":"gorham-sterling-silver-and-other-metals-aesthetic-movement-mixed-metals-tobacco-jar-or-humidor-c-1881","title":"Gorham Sterling Silver and Other Metals Aesthetic Movement Mixed Metals Tobacco Jar or Humidor, c. 1881","description":"This stunning example of American aesthetic movement sterling silver features wonderfully three dimensional floral, foliate decoration along with a whimsical frog finial. Various fauna include birds, a butterfly and the above mentioned frog. One side has a deep flower similar to a daisy cultivar. Another side has a branch and leaves laden with flowers or berries hanging from it. (This looks like a Japanese Andromeda flower to us, but we're not botanists.) This piece displays a three dimensional character rarely seen in mixed metal work. (Or any other silver of this period for that matter.) \u003cbr\u003e\u003cbr\u003eMost smoking sets of this period are found made of copper with other metals. This is a very rare example of a tobacco jar or humidor in sterling silver with other metals. It is also in outstanding condition, even the bronze with rokusho patination (often quite worn from polishing) appears in perfect shape.\u003cbr\u003e\u003cbr\u003eThe jar measures 5 inches high by 4 inches in diameter and weighs 14.3 troy ounces. It is inscribed underneath 'LC\/ from\/ FHP' in a cursive script. It is marked with Gorham's trademark, 'STERLING', 'E14' (model number - probably a unique sample or special order), 'N' (date mark for 1881), and '\u0026amp; OTHER METALS'. It is in excellent condition with a couple minor abrasions.","brand":"Spencer Marks Ltd","offers":[{"title":"Default Title","offer_id":26957283845,"sku":"F562","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1850\/5637\/products\/F562_pi.jpg?v=1490982319"}],"url":"https:\/\/www.spencermarks.com\/collections\/gorham-archive.oembed?page=15","provider":"Spencer Marks","version":"1.0","type":"link"}